Product Details
Broken Flowers

Broken Flowers
From Universal Music Group

Price: CDN$ 17.56 & eligible for FREE Super Saver Shipping on orders over $39. Details

Availability: Usually ships in 3 to 7 months
Ships from and sold by Amazon.ca

21 new or used available from CDN$ 5.67

Track Listing

  1. There Is An End - The Greenhornes with Holly Golightly
  2. Yegelle Tezeta - Mulatu Astatke
  3. Ride Your Donkey - The Tennors
  4. I Want You - Marvin Gaye
  5. Yekermo Sew - Mulatu Astatke
  6. Not If You Were The Last Dandy On Earth - Brian Jonestown Massacre
  7. Tell Me Now So I Know - Holly Golightly
  8. Gubelye - Mulatu Astatke
  9. Dopesmoker - Sleep
  10. Requiem, Op. 48 (Pie Jesu) (By Gabriel Faurè) - Performed by Oxford Camerata
  11. Ethanopium - Dengue Fever
  12. Unnatural Habitat - The Greenhornes

Product Details

  • Amazon Sales Rank: #35656 in Music
  • Released on: 2005-08-16
  • Number of discs: 1
  • Format: Soundtrack
  • Original language: English
  • Dimensions: .21 pounds
  • Running time: 106 minutes

Editorial Reviews

From Amazon.com
Will this soundtrack do for Ethiopian composer and musician Mulatu Astatke what Titanic did for Celine Dion? Well...maybe on a much, much smaller scale. Astatke's circle of Western fans has already expanded thanks to the compilation Ethiopiques, Vol. 4: Ethio Jazz & Musique Instrumentale, 1969-¬1974, and Jim Jarmusch's movie puts his hypnotic instrumentals to great use. This isn't surprising, since Jarmusch is a filmmaker with a natural affinity for music and its use onscreen. Here, a three-minute excerpt from stoner-rock legend Sleep's titanic "Dopesmoker" only offers a sample of the song (it actually lasts an hour) but it still sounds awesome, especially stuck between an Astatke track and Gabriel Fauré's "Requiem, Op. 48 (Pie Jesu)." Garage vets the Greenhornes and Holly Golightly contribute tracks together and separately, while indie-rockers Brian Jonestown Massacre¹s "Not If You Were the Last Dandy on Earth" (an answer song to the Dandy Warhols' "Not If You Were the Last Junkie on Earth") sounds as bilious now as it did in 1997. This is a rare case of a soundtrack that pulls together a broad range of artists yet remains oddly consistent--no doubt because it was assembled by a director with vision instead of a focus group. --Elisabeth Vincentelli