Product Details

• Released on: 2004-06-01
• Rating: Unrated
• Aspect ratio: 1.33:1
• Formats: Black & White, Subtitled, NTSC, Import
• Original language: Japanese
• Subtitled in: English
• Dimensions: .32 pounds
• Running time: 122 minutes

Amazon.com Essential Video
A classic crime film steeped in the vivid environs of postwar Tokyo, Stray Dog is arguably Akira Kurosawa's finest film preceding the international success of Rashomon. A classic theme--the identification between criminal and crime fighter--is presented here in one of its earliest incarnations, as a promising young detective (Toshiro Mifune) struggles to retrieve his stolen pistol. The missing gun is used in a robbery and murder, and Mifune's superior (Ikiru's Takashi Shimura) is caught in the case's volatile crossfire. As the detective closes in on his lethal alter ego, his own moral compass spins out of control, into a psychological tempest that inspires Mifune to give one of his best early performances. Using real locations and a sense of sweltering heat rivaled only by Do the Right Thing, Kurosawa (who first wrote this film as an unpublished novel inspired by an actual incident) maintains an atmosphere of lurid urgency perfectly suited to this riveting film noir scenario. --Jeff Shannon

Review
A stunning piece of international film noir, Stray Dog is a superb early effort of the legendary Akira Kurosawa. Coming just before Rashomon, the film that would establish the director's name and standing worldwide, Dog is one of his lesser known works but worthy of its place in the top of his pantheon. Yes, there are some quibbles. Dog is a tad too long. It lacks the sweep and grandeur of Kurosawa's epics. It occasionally repeats itself. But these are minor flaws in a major work. Besides, any film that contains the amazing nine-minute, almost dialogue-free montage of the underworld of postwar Tokyo, filmed surreptitiously and using many unsuspecting "real" people rather than actors and edited with impeccable precision, would be worth any number of flaws. And there are other impressive moments, including an lovely moment in which the beautiful nighttime vista suddenly intrudes glowingly upon the lead character and the girl he wants to help him, or the final chase section, in which one realizes that all of the tension that has been built up and released in the preceding 100 minutes has only been an exercise in preparation for the unbearable tension of this climax. But Kurosawa is not working strictly from a technical standpoint. He has created characters that bear deeper examination and provide unexpected rewards, and has placed them in a story that allows him to probe the necessity of choices, the effect of society on criminality and the state of the Japanese psyche in 1949. He's aided by a dead-on cast, lead by the perfect Toshiro Mifune and Takashi Shimura. Mifune, young and hungry, is tightly coiled in Dog, a complicated mass of insecurity and bravado. Shimura plays the older and wiser partner as a living person, avoiding the clich�s that are so often part of such characters. They are matchless performances in a dazzling film. ~ Craig Butler, All Movie Guide

On the DVD
New high-definition digital transfer, with restored image and sound
Audio commentary by Stephen Prince, author of "The Warrior's Camera: The Cinema of Akira Kurosawa"
A 32-minute documentary on Stray Dog from the series Akira Kurosawa: It Is Wonderful to Create, including interviews with Kurosawa, production designer Yoshiro Muraki, actress Keiko Awaji, and others
New and improved English subtitle translation
Optimal image quality: RSDL dual-layer edition
16-page booklet featuring Akira Kurosawa on Stray Dog, from his book "Something Like an Autobiography" and an essay by film critic Terrence Rafferty

Customer Reviews

An excellent psychological crime story...
In the shadow of the American occupation of Japan after World War II during an extremely hot summer afternoon, Murakami (Toshirô Mifune), a young homicide detective, is duped by a pickpocket who steals his issued gun. Detective Murakami notifies his superior about the theft which causes him embarrassment and fear of being fired. The humiliation combined with the fear compels Detective Murakami to keep searching for the thief by going undercover. Murakami probes the scorching Tokyo streets and alleys with meticulously scanning eyes as he comes across a weapons dealer that has clues about the guns whereabouts. These clues help Murakami to continue the investigation as he is assisted by the shrewd Detective Sato (Takashi Shimura) to uncover further clues of the identity of the pickpocket. As clues accumulate Murakami seems to identify himself more and more with the criminal. This begins to wear on Murakami, but the understanding Sato keeps reminding him that he is doing the right thing.

Stray Dog is an intense criminal story that examines the psychology of the characters as in compares the similarities between criminals and detectives. These similarities are balanced on a thin line based on choice, which Kurosawa dissects studiously through the camera lens. Kurosawa's investigation of the character's psychology creates a spiraling suspense that is enhanced through subtle surprises and brilliant cinematography. The camera use often displays shots through thin cloths, close ups, and new camera angles, which also makes the film aesthetically appealing. When Kurosawa brings together camera work and cast performance, among other cinematic aspects, he leaves the audience with a brilliantly suspenseful criminal drama, which leaves much room for introspection and retrospection.

THEMATICALLY MORDANT, TECHNICALLY BRILLIANT
A young Tokyo cop has his handgun stolen. Driven to obsession he follows the trail of the pickpocket through the choppy underworld of 50s Tokyo in an attempt to regain his "face". This deceptively simple story grows more complex as the man who gains possession of Mifune's handgun begins killing people and the cop starts to blame himself.

Amid its intensely graphic buildup of the specious complications of the plot (which is achieved in true Kurosawa form through brilliant blends of images and sounds) the movie manages to couch messages of social and philosophical significance.

An incredible atmospheric combination: of neo-noir and a murky mordant comedy. Highly recommended, if you can digest some mildly slow-paced scenes and black and white print.

4.25 Stars for this Noirish Kurosawa Gem
If you've only seen Kurosawa's samurai flics, definitely give this a look. The strength of Stray Dog is certainly the imagery: the glimpses of everyday life in the early years of postwar Japan are as priceless as virtually anything from the silent era, and seeing such a young Mifune in his dandyish zoot suite is also worth the price of admission in itself. The rabid dog thru the opening credits frames the film wonderfully and returns to your mind well after you've turned off the TV. And here Kurosawa's greatest weakness (an apparently utter disdain for females) is graciously muted: women are portrayed in mostly unflattering roles but are at least allowed to show some bit of their sensuality (something which is utterly lacking in his later films). The ending is first marvelous then disappointing; the last 120 seconds or so might have better landed on the cutting room floor. The narrative thrill wasn't quite Hitchcock, and the noirish shadows weren't quite to the level of Welles or Wilder. But I am not complaining. While Stray Dog shows some of the undeveloped side of Kurosawa, it also shows traits he would have been better to have kept. All in all Stray Dog was a delight to watch.

Regarding the Criterion DVD, the image quality is really no better than a VHS tape. Occasionally scenes are quite dark or the picture is striped with dark lines. The DVD menu page is too dark and it was almost impossible to read the options. As usual, Criterion offers no subtitle options beyond English. And the price is tad lower, if still too high. But at least they have made it available.