Product Details
Blow Up

Blow Up
DVD

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13 new or used available from CDN$ 10.58

Average customer review:
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Product Details

  • Amazon Sales Rank: #4213 in DVD
  • Model: 65135
  • Released on: 2004-02-17
  • Rating: Unrated
  • Aspect ratio: 1.85:1
  • Number of discs: 1
  • Formats: Anamorphic, Closed-captioned, Dubbed, DVD-Video, Subtitled, Widescreen, NTSC
  • Original language: English, French
  • Subtitled in: English, Spanish, French
  • Dubbed in: French
  • Number of discs: 1
  • Dimensions: .20 pounds
  • Running time: 111 minutes

Editorial Reviews

From Amazon.co.uk
It may not stand up as an art-house film (the opening and closing shots of a mime playing tennis belong in the Pretentious Metaphor Hall of Fame), but this head scratcher is an absorbing travelogue of swinging London circa 1967, courtesy of auteur tourist Michelangelo Antonioni. Blow Up is also a meticulous, paranoid murder mystery that has left its fingerprints on dozens of later films, from Coppola's The Conversation to the recent cult item The Usual Suspects. The efforts of a fashion photographer (David Hemmings) to analyse a photo snapped off-the-cuff in a public park, which may have recorded a crime in progress, resonated at the time with conspiracy theories surrounding the Kennedy assassination. From here it looks like an anticipation of up-to-the-minute anxieties about the filtering of perception through metastasising media. The movie marked the film debut of Vanessa Redgrave, and in the justly celebrated purple-paper scene, expat chanteuse-to-be Jane Birkin. --David Chute

Amazon.com Essential Video
This 1966 masterpiece by Michelangelo Antonioni (The Passenger) is set in the heady atmosphere of Swinging London, and stars David Hemmings as an unsmiling fashion photographer hooked on ephemeral meaning attached to anything: art, sex, work, relationships, drugs, events. When a real mystery falls into his lap, he probes the evidence for some reliable truth, but finds it hard to reckon with. Vanessa Redgrave plays an enigmatic woman whose desperation to cover something up only seems like one more phenomenon in Hemmings's disinterested purview. This is one of the key films of the decade, and still an unsettling and lasting experience. --Tom Keogh