Dances O/T Renaissance
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Average customer review:Track Listing
Disc 1:
- 6 Dances from "Terpsichore": Entrée - Courante
- 6 Dances from "Terpsichore": Gavotte - Fritz Neumeyer
- 6 Dances from "Terpsichore": Spagnoletta - Konrad Ragossnig,
- 6 Dances from "Terpsichore": La Bourée
- 6 Dances from "Terpsichore": Ballet
- 6 Dances from "Terpsichore": Volte
- Daentz und Galliaden from "Musikalischer Tugendspiegel": Sophia ...
- Daentz und Galliaden from "Musikalischer Tugendspiegel": Clara (No. 6)
- Daentz und Galliaden from "Musikalischer Tugendspiegel": Magdalena ...
- Daentz und Galliaden from "Musikalischer Tugendspiegel": Agatha ... - Fritz Neumeyer
- Daentz und Galliaden from "Musikalischer Tugendspiegel": Regina ... - Fritz Neumeyer
- Banchetto Musicale/Suite No. 4: 1. Pavane - Fritz Neumeyer
- Banchetto Musicale/Suite No. 4: 2. Gaillarde - Fritz Neumeyer
- Banchetto Musicale/Suite No. 4: 3. Courante - Fritz Neumeyer
- Banchetto Musicale/Suite No. 4: 4. Allemande - Tripla - Fritz Neumeyer
- Banchetto Musicale/Suite No. 5: 1. Pavane - Fritz Neumeyer
- Banchetto Musicale/Suite No. 5: 2. Gaillarde - Fritz Neumeyer
- Banchetto Musicale/Suite No. 5: 3. Courante
- Banchetto Musicale/Suite No. 5: 4. Allemande - Tripla - Fritz Neumeyer
- Banchetto Musicale/Suite No. 3: 1. Pavane - Fritz Neumeyer
- Banchetto Musicale/Suite No. 3: 2. Gaillarde - Fritz Neumeyer
- Banchetto Musicale/Suite No. 3: 3. Courante
- Banchetto Musicale/Suite No. 3: 4. Allemande - Tripla
- Lamento Di Tristano - Rotta
- Trotto
- Istampita Ghaetta
- Istampita Cominciamento Di Gioia
- Saltarello
- Bassa Danza À 2 - Konrad Ragossnig,
- Alta Danza À 3 - Konrad Ragossnig,
- Bassa Danza À 2
- Bassa Danza À 3 - Konrad Ragossnig,
- Bassa Danza la Brosse - Tripla - Tourion
- Bassa Danza la Gatta
- Bassa Danza la Magdalena
Disc 2:
- Calata Ala Spagnola
- Der Judentanz
- Welscher Tanz Wascha Mesa - Hupfauff
- Pavana I/II
- Romanesca Guarda Me las Vacas
- Passamezzo - Saltarello
- Branle de Bourgogne
- Englischer Tanz
- Tanz du Has Mich Wollen Nemmen
- Schiarazula Marazula
- Ungaresca - Saltarello
- Ronde
- Branle de Bourgogne
- Branle de Champagne
- Passamezzo d'Italye - Reprise - Gaillarde
- Schiarazula Marazula
- Tedesca - Saltarello
- Ungaresca - Saltarello
- Branle - Branle Gay
- Mascherade
- Saltarello
- Ballo Detto "Il Conte Orlando" - Saltarello
- Gagilarda del Principe Di Venosa
- Barriera
- Celeste Giglio
- Pavana de Spaigne
- Courante
- Courante
- Volte
- Volte
- Pavan: The Funerals
- Noel's Galliard
- Coranto: High Ho Holiday
- Kemp's Jig
- Queen Elizabeth Her Galliard
- Mrs. Winter's Jump
- Alman
- Galliard
- Gaillarde de Monsieur Wustron
- Gaillarde de la Guerre
- Reprinse
- Tantz
- Paduan
- Galliard
- Catkanei
Product Details
- Amazon Sales Rank: #25984 in Music
- Released on: 2008-03-17
- Number of discs: 2
- Format: Compilation
- Dimensions: .25 pounds
- Running time: 138 minutes
Customer Reviews
perfect!
I have loved this performance since it was released in the 1960s. My young sons and I listened to our vinyl record so often that we used to say that one day we might be able to hear both sides at once. After I had lent our record to someone who subsequently vanished, I grieved the loss for many years.
Amazingly, a few years ago I heard the magical strains of my beloved "Tanzmusik der Praetoriouszeit" on our classical-music radio station! (Thank you, John Rittmeyer.) The recording had been digitally remastered and made into a CD!! I have purchased several copies of the CD since then, one for me and the others as gifts to family and friends.
There are, of course, many more-recent recordings and some interesting performances of the Praetorious dance music, but the the authenticity of instrumentation and interpretation here is compelling. This performance is superlative in every respect. And it holds my heart.
Wonderful reissue from early days of early music recordings
This cd is a reissue of material from several albums in the 60s. The Fritz Neumeyer recordings of Praetorius are from an old Archiv LP that was one of my first introductions to "early music", and it can be charged that it was more enthusiastic than historically informed. A recorder consort will take up one section of a tune, and then a group of viols will swirl in, maybe followed by crumhorns playing another brief phrase, and then a solo harpsichord finishing off the tune. Different instruments provide a variety of textures of sound, keeping things interesting even though most of the tunes are played fairly "straight", without a lot of improvisation. There's been quite a bit of research and rediscovery of Renaissance techniques since this record was first out, and I appreciate those, but these old recordings really get my toe tapping and remind me why I fell in love with early music in the first place.
A complete embarassment!
This is an example of what happens when people who have no clue about early-music performance get together and play early music. The viol playing is drowned in gooey vibrato, as are the recorders. The dances sound appropriate for a bunch of now-superceded German musicologists prancing around in Renaissance-Faire velvet and leggings, which is exactly what is happening, and if you like this sort of thing, the patchouli has probably got to your brain. It's cute the first time around, but by the fourth or fifth listen, anybody with any taste is going to be reaching for their spare air-sickness bags.
