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Goodnight Ladies and Gents: The Creole Music of Lionel Belasco
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1 new or used available from CDN$ 28.25
Average customer review:
(3 )
Track Listing
- Good-Night Ladies And Gents
- Roses Of Caracas Waltz
- 'I Used To Do All The Heavy Things'
- Panama Paseo No.1
- Miranda
- Blow Wind Blow
- Venezuelen Little Tune
- 'I Used To Just Play The Piano'
- Prohibition
- Sly Mongoose
- Carmencita
- Caroline
- Maysotis
- Treasury Fire
- Caracas
- Hit And Run Away
- Iris
- Why Me Neighbor Vex With Me
- The Palms Of Maracaibo
- Esperanzas
- You Bob
- Oh Rufus Hold Me Tight
- Bournes Road
- Rosa Negra Vals Venezolano
- Go Away Gal
- Standing Up Behind The Bridge
- Venezuela
Product Details
- Released on: 1999-04-06
- Number of discs: 1
- Formats: Import, Best of
- Original language: English
Editorial Reviews
From Amazon.com
In the world of Calypso, Lionel Belasco is an iconoclast. He was born in Barbados; his father was a Sephardic Jew who sang baritone and played the violin, his mother a Trinidadian who classically trained the young pianist in their various homes in Barbados, Venezuela (whose music is highly in evidence in his work), and eventually Trinidad. But the young musician had a penchant for the local music and the local sports like stick fighting, and when he decided to become a professional, all of these images collided to create one of the most unique Calypsonians of any era. Classical piano, violin that crosses easily between Beethoven and European folk fiddle styles, and not a little of the "sweet band" jazz of American bands like the Paul Whiteman Orchestra are brought together by Belasco to great effect in these recordings made mostly in New York City, a place where he became something of a star in the '20s and '30s. The musicians are a star-studded lot: vocalist Wilmouth Houdini, violinist Cyril Montrose, and guitarist Gerald Clarke pepper these recordings, punctuating and counterpointing the structured songs of Belasco with a looser jazz feel. An added bonus on this 27-track collection are a number of solo performances and short interviews with Belasco in 1961, where he retells his story and explains the music. His songwriting was legend, his voice a charm, and his music some of the best of the era. --Louis Gibson
