Product Details
Hovhaness: Celestial Gate and Other Orchestral Works

Hovhaness: Celestial Gate and Other Orchestral Works
From Telarc

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Average customer review:

Track Listing

  1. Celestial Gate
  2. Prelude And Quadruple Fugue, Op. 128 For Orchestra
  3. Tzaikerk, 'Evening Song'
  4. Prayer Of Saint Gregory
  5. Alleluia And Fugue, Op. 40b
  6. I. Allegretto
  7. II. Jhala: Allegro
  8. III. Double Fugue: Allegretto

Product Details

  • Released on: 1995-01-01
  • Number of discs: 1
  • Format: Import
  • Dimensions: .22 pounds
  • Running time: 79 minutes

Editorial Reviews

From Amazon.com
Alan Hovhaness is an Armenian American composer whose music knows no end to experiments with styles, modes, and even instrumentation. But the core of his work seems to be mystical, as in Symphony 6 Celestial Gate based on a painting by the mystic Hermon de Giovanno. His Concerto for Orchestra, No. 7 is a 1953 work with Hindustan elements in it; but like a true concerto for orchestra, it makes its rounds to all the instruments. Tzaikerk, or Evening Song, is for flute, violin, timpani and string orchestra is heavily influenced by Korean (or Asian) music. This is a diverse collection by one of our best. --Paul Cook


Customer Reviews

Hovhaness Primer5
As is the case with many others, this was the first Alan Hovaness CD I ever purchse and I now own about 11.
For someone interested in getting to know this unique composer it is the best place to start. The variety of pieces are a good representation of this man's work. It is like no music I have ever heard before!

Inspiring, surprising, meditative all in one.5
The CD cover art - a bright light shining boldly from deep in space - is an apt visual description of the music on this beautiful and graceful CD. It's the first Hovhaness CD I purchased, and I have bought many more since. Alan Hovhaness was an inspired genius, and not afraid to blaze his own path. In some respects, he reminds me of Jean Sibelius, another of my favorites, for his love of natural beauty and hints of eastern mysticism. The 5 minute Prayer of Saint Gregory alone is worth the price of the CD. I can't write very well about music I like - it's like describing wine and sounding snooty - but if you like to think, be surprised, and transported, then Hovhaness is your man. And this CD is a great place to start.

Tzaikerk Allelula Evening Songs5
Alan Hovhaness was born on March 8th of 1911. Around 1940, after studies at the New England Conservatory of Music, he was appointed to the position of organist at an Armenian church near Boston. An inner prompting, around that same time, led to an intensive study of Oriental music, philosophy and religion. These two strong spiritual influences helped to contribute to a mystical disposition in both Mr. Hovhanness's life and in his abundant artistic creations.

The following may help to describe three of the major pieces on this Telarc disc:

"Celestial Gate" was completed in the year 1959. In this piece, Hovhaness describes an interior journey of many years duration, which culminated in the passage, through a 'mental gate', into a spiritual realm of expansive satiating presence. We are invited, through this translation into sound by conductor Rudolf Werthen and The Orchestra of Flanders, to know once again this welcoming spiritual state, in the act of listening to this wonderfully sensual recording.

"Concerto No. 7" was composed between August and October of 1953. A wealth of themes are introduced and woven together during the three movements. As the composer notes: "In the course of it's twenty-four minute duration all unnecessary elements are removed - only a voluptuous essence remains".

The "Prayer of Saint Gregory" is an excerpt from a Hovhanness Opera, conceived in 1946 and titled "Etchmiadzin". As the composer notes: "This music is like a prayer for mutuality and tender emotional reciprocity amidst melancholy social isolation".

The music of Hovhaness remains, to this day, a vehicle for the expression of delicate aesthetic mysteries and it's fine emotional qualities will be embraced by artists and audiences of varying social backgrounds. May you find, in the broad swirling orchestral notes of these performances, the deep blue dance of graceful spiritual release.