Keepers: A Live Recording
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Average customer review:Track Listing
- L.A. Freeway
- Texas, 1947
- Like a Coat from the Cold
- Heartbroke
- Last Gunfighter Ballad
- Better Days
- Homegrown Tomatoes
- She Ain't Goin' Nowhere
- South Coast of Texas
- That Old Time Feeling
- Little of Both
- Out in the Parking Lot
- Let Him Roll
- Texas Cookin'
- Desperados Waiting for a Train
Product Details
- Amazon Sales Rank: #38083 in Music
- Released on: 2008-08-05
- Number of discs: 1
- Format: Live
- Dimensions: .21 pounds
Editorial Reviews
From Amazon.com
Guy Clark approaches songwriting the same way he approaches fishing--if what he comes up with is too meager, he throws it back; only the best specimens are considered "keepers." Fifteen of those specimens are featured on Keepers--A Live Recording (Sugar Hill), which was taped at a Nashville club in 1996 on Halloween weekend. Two strong songs are unveiled--"A Little of Both," a bouncy, witty song about avoiding choices, and "Out in the Parking Lot," a slow, poignant look at the action outside a nightclub. These two are joined by 13 old favorites, including those turned into hits by Ricky Skaggs ("Heartbroke"), Jerry Jeff Walker ("L.A. Freeway"), and Johnny Cash ("The Last Gunfighter Ballad"). They're all wonderful songs, but these aren't necessarily the best versions. Clark is a limited singer, but his voice cracks more than usual on several of these live renditions; this version of "She Ain't Goin' Nowhere" is practically unlistenable. Clark did put together a sharp little band for this recording, but if he was going to make a live album, why didn't he deliver some of his long, droll stories rather than these truncated introductions? --Geoffrey Himes
Customer Reviews
Not a keeper
One of life's greatest joys is a Guy Clark performance. Though I left Nashville shortly before the one recorded here, I listened to Mr. Clark play every dive in town for 20 years, sometimes sick, sometimes overly fortified with alcohol, and he was always the consummate showman. As such, the idea of a live recording was very appealing to me. The result, however, is a little disappointing.
The songs are indeed mostly keepers, and the track listing is typical of a Guy Clark set list. It relies heavily on his first album, with half the tracks coming from Old No. 1, and then a song or two from subsequent albums of the late 1970s and early 1980s. Some, like "Heartbroke", are pleasant surprises I've never heard him perform live. I tend to be a little more sanguine about Mr. Clark's post-1975 oeuvre than he seems to be based on his shows and on this CD though - I think he's written a lot of other "keepers" that are conspicuously absent here, some from the "Old Friends", "Boats to Build", and "Dublin Blues" recordings that were released before the concert presented here, and that usually find their way into his sets.
It is the performances that disappoint in the end, though, not the choice of songs. The songs are mostly tried and true classics. Guy Clark may or may not tire of singing his first album for 30 years, but he has remarkable stage presence and can play "Desperadoes Waiting for a Train" a thousand times and make me misty every time. In general, though, the vocal performances are better on the original recordings. There is something to be said for re-recording many of these songs using the acoustic sound found on Clark's CDs from "Old Friends" onward, or perhaps in the simple guitar and bass form often used in his performances. The electric instrumentation used on some of his older albums has left some of his best material sounding dated. But here, with Mr. Clark not hitting some of the notes, sometimes off-key, most of the time I felt I'd be better off just pulling out Old No. 1. Or that he'd have been better off re-recording the "keepers" in the studio. There are some fine moments here. Texas Cookin', though recorded perfectly well in the studio, is a fine performance, and I can't help but smile at Mr. Clark, Jr. on bass doing the riff from Hendrix's "Third Stone From the Sun" near the song's end.
In short, the songs are keepers but the performances aren't. I have every Guy Clark CD ever made, and I listen to several of them fairly regularly. He is a personal hero in the world of music, and in his corner of this genre, I'll say something he'd disagree with - I think his work far eclipses that of Townes Van Zandt. But this CD has been in my CD player only twice over the years, once when I first bought it and was disappointed, and once today when I was disappointed again. The only good reasons to have this CD are to have a complete Guy Clark collection or to remember this particular concert if you were there.
Texas Without Being There
Guy Clark is the unofficial music ambassador for the great state of Texas. His songs are simple and straightforward tackling the always tough relationship department and lightweight subjects like eggs, tomatoes, chili, trains and his home state. ( "Texas 1947", "Texas Cookin" & "South Coast Of Texas" ) He's also intelligent when it comes to a live recording, putting together a great band which includes brilliant sideman - Verlon Thompson. Guy is definitely ON this night balencing songs, stories and laughter. The album literally brings Texas to my home until I can make the next visit. The purists seem to like his first two LP's found on "Essential", the critics pick is "Boats To Build", but the real Guy Clark is "Live" and this one is for the "Keepers".
Great atmosphere
The best thing about this record has to be the way it's recorded. Anyone with a half decent hi-fi system will love it just for that.
The small band Guy has gathered for this recording are as tight as can be and even Guy himself stays in control of his fingers...
Great versions of Heartbreak, Texas Cookin' and Home Grown Tomatoes. He's at his best when you can hear the smile on his face. She Ain't Goin' Nowhere is a classic Guy Clark song too. I'm less enthusiastic about some of the slower "moody" songs like Desperadoes (I can never understand the popularity of this one) and he misses out songs from Boats to Build - my favourite album. All in all though, a fine effort.
