Product Details

• Amazon Sales Rank: #23720 in DVD
• Released on: 2002-10-01
• Rating: Unrated
• Aspect ratio: 1.33:1
• Formats: Silent, NTSC
• Original language: English
• Dimensions: .25 pounds
• Running time: 95 minutes

Amazon.com Essential Video
Officially produced to commemorate the 10-year anniversary of the Russian Revolution, October quickly became another of Sergei Eisenstein's experiments in film form. As in his masterpiece, Battleship Potemkin, Eisenstein uses explosive montage to create the spirit of revolution--in this case, the events in St. Petersburg during the months leading up to the Bolshevik revolt. Eisenstein's insistence on speaking the language of pure film (deploying space, shadow, movement, and rhythm to create his meaning) shoves his mad rush of images straight into the viewer's eye. A worker's rebellion in the streets, followed by the raising of bridges to isolate their neighborhood, becomes a visual symphony of panic. The film has also been known as Ten Days That Shook the World, its release title in the U.S. (borrowed from the book by John Reed). Its value as propaganda can be debated, but October is incredibly dynamic as film art. --Robert Horton

Video Details
Russian director Sergei Eisenstein's powerful retelling of the 1917 Russian Revolution, "October" is an acknowledged masterpiece in the use of editing, lighting, camera placement and mise-en-scene. An absolute must for any film connoisseurs collection.

Review
Expanding on his editing experiments in Battleship Potemkin (1925), Sergei Eisenstein melded documentary realism with narrative metaphor to depict the pivotal events of the Russian Revolution in October (1927). Commissioned to commemorate the 10th anniversary of the 1917 October Revolution, Eisenstein focused on a few key events from February 1917 to October 1917. Underlining the symbolic importance of those episodes, Eisenstein constructed October as an elaborate "intellectual montage," deriving meaning from the metaphorical or symbolic relationships between shots. Drawing out narrative time through cutting, Eisenstein turns an opening drawbridge into a sign of the divisive struggle in St. Petersburg. Similarly exaggerating the time that it takes provisional leader Kerensky to climb a palatial staircase, and intercutting shots of Kerensky with a Napoleon statue and a mechanical peacock, Eisenstein satirically reveals Kerensky's imperial hubris and vanity. Having done extensive research for accuracy, Eisenstein also staged mass battles, particularly the storming of the Winter Palace, with thousands of extras, including the Soviet army. Before October's release, however, Josef Stalin's ascent to power required Eisenstein to edit out all references to Stalin rival Trotsky. Neither the Soviet public nor the Soviet leaders cared for the finished film; the government accused Eisenstein of "formalist excess." An edited version of the film was released in the U.S. using the title of John Reed's book, Ten Days That Shook the World. While the film's whole is not as great as its parts, the abstract power and narrative innovation of its greatest sequences still render it a seminal work in the development of film form. ~ Lucia Bozzola, All Movie Guide

Customer Reviews

Seminal Eisenstein
This movie is not exactly designed for casual enjoyment. It's no surprize that it was not very popular when it was first released. Eisenstein takes a fairly intricate, if not convoluted, episode in history and recreates it through a maddening pace of of montage intercut, while establishing no particular characters to build any story around. So the film must be appreciated almost solely for the technique of its brilliant director (along with an excellent Shostakovich soundtrack). Not a great date flick, this is an ideal DVD for students of film history to challenge themselves.

Leave politics at the door...
.. I won't go into the propaganda nature of this film. It's obvious &, to me, unimportant in enjoying this movie as entertainment. What I will say is that this picture has left a mark on my mind & it's not due to any inherent political nature- it's because it's a very entertaining film. The story of an indigenous man who gets placed in power (after almost being killed) by a group who attempts to use him to get what they want only to be overcome in the end by "the masses" is fantastically displayed in this silent film. The lack of vocals only seems to add to it's quality. This movie contains one of the funniest scenes ever put to film & it could've only been done in a silent film using font size- the 1st meeting w/ the reincarnation of the Dali Lama. Oh, my. I had to watch it 3 times in a row the 1st time I saw it. Plus the soundtrack that was added works perfectly. Sometimes this isn't the case w/ DVD/VHS releases of silent films.. Don't be afraid if you couldn't pick Eisenstein, Pudovkin or Kalatozov out of a line up. Buy it, rent it, whatever. Just watch it.

Surprisingly accurate documentary/propaganda movie
Despite being a propaganda film created under the "overall" leadership of Joseph Stalin, this description of Lenin's rise to power is even-handed. Lenin is portrayed as a dedicated revolutionary, but not as a figure of a personality cult. While the Tsarist regime is criticized, it is not heavy-handed. Even Kerensky, the most memorable leader of the short-lived interim republic is portrayed in an honest way. Finally, Stalin appears only in a minor role, appearing as simply another of the band of core Bolsheviks.
From the historical perspective, the film is also surprisingly accurate. There are no outlandish tales of proletarian heroism, only the description of a political system that fell under the weight of an archaic feudal structure and the strain of a terrible war. Granted that there are some excesses in the tale and none of those of the Bolsheviks is mentioned, overall it is better than most documentaries. One wonders what Stalin had in mind when he allowed it to be made in this manner.
As a piece of film, the work is also first rate, given the state of the art at the time. Armed with a historical knowledge of the events, one cannot help but be caught up in the action. The backdrop adds to the power, as you are seeing it at the exact locations. Almost as if a film about the president of the US was shot in the oval office. It doesn't have the precise look of a movie set, but the realism more than makes up for it.
Lenin was one of the few people of this century who truly changed the world, although surprisingly, it didn't last the century. Much like the quiet way that the Tsarist state vanished, no one would have believed that after 60 years, the communist government in the Soviet Union was pass away so easily. It was ten days that shook the world, but from the viewpoint of long-term history it was a quick shake.