Product Description

Product Details

• Amazon Sales Rank: #470314 in Books
• Published on: 2003-10-28
• Original language: English
• Binding: Hardcover
• 192 pages

From Booklist
Like many other professional fellowships, the Association of Science Fiction and Fantasy Artists (ASFA) gives out best-of-the-year awards in several categories. At first, they were called the ASFA Awards, but the year after their first bestowal, Chesley Bonestell (1888-1986) died. When next awarded in 1987, they were renamed in honor of that artist, whose breathtaking, realistic paintings of space exploration (see Ron Miller's Art of Chesley Bonestell, 2001) inspired plenty of artists as well as future astronauts. This album showcases most of the Chesley winners through 2002, including, most importantly, perhaps, small portfolios of the overall Achievement Award winners' work. This strain of illustrative art--most of it done for books and magazines--represents the last and, fortunately, probably permanent stand of romantic realism. In it, color is rich and luscious, lineation is varied and intricate, masses are bold and tactile, composition and perspective are dramatic and imposing. It descends from eighteenth-century history painting, through Ingres and Delacroix and the Hudson River Valley and Brandywine schools of American painters. It aims to stun, rarely fails, and at the hands of the latest Achievement Award winner, Donato Giancola, it just gets more stunning. No collection with sf and fantasy in it should make do without it. Ray Olson
Copyright © American Library Association. All rights reserved

Customer Reviews

Fantastic for something that should have been impossible...
This book is extraordinary, if for no other reason than the fact that many of the images inside are not available or extremely hard to find. I know from personal experience that even some of the artists included no longer have some of their own images and the authors should be commended for their research. The prodution value of the book is fantastic and Malcom Couch (art director) did a wonderful job placing the images in an appealing and flowing format.
I am delighted to have this book in my collection. The International Assoc. of SFF Art voted these works the best for good reason. It brings back 20 years of amazing memorys of science fiction-fantasy art and fandom and I will never lend this one out! It is no wonder that I have given several of these books as gifts already!
There are a few images whose reproduction seems to have come from damaged originals. For example, I have seen some of the Frazetta originals in his museum and the overall condition of some of the paintings are lacking, and apparently the authors used photo images of those originals, as a result the original's pre-existing damage shows. It is a shame that better images cannot be found. I am surprised that they did include as much of the Frazetta collection as they did knowing the "difficult" Frazetta reputation for dealing with publications.
If you want a wonderfully comprehensive collection of some of the world's very best sci-fi/fantasy art, THIS is it. It is a must to go along with all those great Spectrums (to be honest, I have to say I would keep this above all others if I had to choose). Thank you to Mr.Grant and Ms.Humphrey for all their hard work!

Go Get It!
Very often color reproduction is lacking in books of this type and there are very very few problems with this volume. The production values are extremely high and thank you to the production/design team for using a beautifully coated paper that doesn't reflex back my face in its pages. Over the years of attending conventions I have been privileged to see much of the art included in this book on exhibit - although not so privileged to be able to afford to buy any of it. It is a treat that I can now have it "all" in my home. What a wonderful anthology of SF & Fantasy art! For my money it's far superior to anything Spectrum has ever produced.

Could have been MUCH better
What should have been a nice history of the Association of Science Fiction and Fantasy Artists annual awards turns out being a mish-mash of art. Reproduction quality is all across the board and ranges from being very good to simply awful (the Frazettas, some of Hickman's, Brad Foster's, some of Jim Gurney's, etc. are printed so badly that it would have been best to not include them at all). Troubling too are the numeous tiny reproductions: if the book is supposed to celebrate the art, why make some the size of postage stamps? There definitely are some very good pieces nicely reproduced (Whelan, Donato, Palencar, etc.), but most are already available in other books. At the fairly hefty cover price I was expecting much more than what the editors and publisher delivered.