Product Details

• Amazon Sales Rank: #432679 in Books
• Original language: English
• Binding: Paperback
• 288 pages

Customer Reviews

Their story...
The recent winner of the Samuel Johnson Prize for Non-Fiction, Stasiland reads like a diary of an outsider, as Funder takes her readers through her own personal landscapes of Berlin. Perhaps one of the most honest pieces of history written, her intimate style refocuses on the idea of story-telling in the most personal sense. History, as Funder portrays it, is a matter of memory, of re-telling the story of both sides, of interpreting, of listening and of re-creating. Very few history books dare to reveal their own vulnerability, and their own uncertain claim to "objectivity". Funder puts herself into the history that she attempts to record, and exposes the author of non-fiction as a mediator between the history as recorded and the history as told. Here Stasiland is a vehicle for subjective, personal histories to be heard, to accumulate, to inter-relate and therefore giving us a picture of what it is to wield power in the Orwellian GDR and what it is to live as a subject of the terrifying totalitarian apparatus.

A beautifully written, almost bittersweet, non-fiction. Funder tells the story of Miriam - a woman that continues to struggle with the authorities for the truth of her husband's death; of Frau Paul, who continues to wonder what might have been if she had not decided "against" her child; of her landlord Julia, whose teenage love affair with an Italian brought the scrutiny of the Stasi; and of the Stasi-men - and they are always men - of the young man who drew the line for the Berlin Wall; of a spy who thought it was fun to dress up for his job; of the propaganda-machine of GDR, who continues to hold on to his socialist ideal.

The intimacy of Funder's re-telling of her interviewees' accounts is coloured also by a sadness, an elegy, but sometimes also an obssessive drive. Often, Funder's own voice intrudes, commenting on what she has heard, sharing with us her reactions to the stories she is ascribing. These moments serves to remind the readers that although the prose reads like a novel, these stories are real - no matter how closely they may resemble fiction. Funder re-tells the stories, allowing herself to become the medium through which these histories can come to light.

A marvel, a must-read on totalitarianism
Anna Funder is an Australian who, somewhat aimlessly, finds herself in
Berlin in the 1990s. Working in the media she takes a professional interest in gathering stories about East German and its all-pervasive security apparatus - The Stasi. She visits museums filled with Stasi memorabilia, seeks interviews with former agents and victims. The book is well written and evocative, it paints a realistic picture of everyday cruelty of the former regime - a wife put to her wits end trying to bury her husband who died in custody, families pressured to spy on each other and on friends - Funder quotes statistics which reveal that there was one Stasi officer for every 63 East Germans; Hitler's Gestapo had one agent for every 2,000. The cases of the victims are heartbreaking, the effects on their personalities of the harassment, surveillance and torture they endured lasts beyond the reach of the old regime, through the supposed liberation.
She is quite effective on the attitude of today's German society to Ossies (former East Germans), most former West Germans (Wessies) now feel that "they were Germans who had Communism for forty years and went backwards, and all they want now is money to have big TV sets and holidays... It was an experiment and it failed". Ossies on the other hand feel an amount of resentment that they now live in a society which is so unequal and relatively unsafe. This resentment has spawned a cynical nostalgia for the old East Germany - Ostalgia. This outcome is astonishing to the outsider, but Funder's book carefully outlines how this has come to pass, since the optimism of the day's when the Berlin wall collapsed.
She excellently outlines revealing vignettes - the toilet minder, ex-East Berliner , who would like to travel, especially to visit China " to have a look at that Wall of theirs"; the former broadcaster, whose weekly propaganda program made him one of the most reviled figures of the Communist regime, who now rails against the reality TV show where people are locked into a house and observed via camera, their every move recorded - he calls it "Big Brozer" with unconscious irony- as a product of 'The Australian Television Tyrant' {Murdoch}.
She is less revealing when dealing with the ex-Stasi agents, whom she meets. They talk to her as an apparently neutral foreigner, but their description of the past is filled with minimization and evasion. Their bewilderment at the collapse of their entire belief system and social structure is their most deeply felt emotion.
The book strengths lie in the despair of the stories themselves, and the craft that Funder brings to their telling, the mixture of bewilderment, despair, comedy and banality with which she makes the past and present so real. That said the weaknesses lie in her intrusion of her own story into the tale and her attempts at analysis. Funder is the thread along which the story advances - the tales of her acquaintances, her journalistic assignments mingle in the narrative. For the most part this works, however it can be over-instrusive, in particular when includes some dream sequences.
As an outside in Germany, she fails on when using German self analysis - e.g. Tucholsky's observation that all Germans grovel in front of counters and aspire to sit behind them - is fine for a German to make, but smacks of intrusion into a family quarrel when used by an outsider. Occasionally the commentary will lapse into German exceptionalism - what is it about the Germans and their lack of self esteem that makes them co-operate with oppression and totalitarianism. Its seems to me that this is not too far from the views expressed in the book "Hitler's willing Executioners", and is equally fatuous. It is a myth that societies react selflessly in the face of coercive repression, the French faced it for four years in World War II, Eastern Europe for forty years. Funder's book would be better without these judgmental side tracks.

That being said, it's a wonderful read. There are heat breaking stories of peoples still living with the impact of their treatment by the Communist regime, stories of people still living in denial of the crimes that they have committed. Surprises about the compromises made by the current regime in terms of failing to pursue those crimes, both in a forlorn effort to forgive by forgetting, but also due to typical bureaucratic underfunding. Hugely revealing, and topical in the sense of reminding us that systems and regimes can make enormous mistakes, of historical importance, that questioning dissent is vital for societies and that individual morality must guides all functionaries within systems.

A Girl's Guide to Totalitarianism
With its non-US edition having a cover shot of a pouting beauty in red lipstick and a red sequinned top, Stasiland is not even pretending to be a serious history book. Nevertheless, there's certainly a place for lightweight, general human-interest books like this, in bringing the underlying civil and historical issues to an audience not otherwise disposed to wade through a deeper politcal analysis.

Stasiland is written in a style like a personal journal - the stories told by ex-GDR citizens to the author are often prefaced with descriptions of where she had coffee before they met, and followed by what she thought afterwards while walking home. But altogether it works more than it doesn't work. Despite occasional lapses into waffle and naval-gazing, the author's cool observations are frequently disquieting and insightful.

Found in a variety of ways, from advertising to chance meetings to word of mouth, the people interviewed are correspondingly varied themselves. They range from grandstanding ex-Stasi conspiracy theorists to truly ordinary people caught in a bizarrely cruel social experiment - it's the latter who truly highlight how misguided is the seemingly benign, 'Hello Lenin' nostalgia.

One regret about the book is that much time is spent on some of the less interesting tales, and not enough on the more interesting people - like the haunting story of Frau Paul, seperated by chance from her sick baby, which leaves you stunned with both the humanity and the inhumanity of it.