Product Description

Nathaniel Hawthorne's gripping psychological drama concerns the Pyncheon family, a dynasty founded on pious theft, who live for generations under a dead man's curse until their house is finally exorcised by love.

Product Details

• Amazon Sales Rank: #2186136 in Books
• Published on: 1997-12
• Original language: English
• Binding: Paperback
• 227 pages

From School Library Journal
Grade 9 Up. Hawthorne's tale about the brooding hold of the past over the present is a complex one, twisting and turning its way back through many generations of a venerable New England family, one of whose members was accused of witchcraft in 17th century Salem. More than 200 years later, we meet the family in its decaying, gabled mansion, still haunted by the presence of dead ancestors: Hepzibah, an elderly gentlewoman fallen on had times; her ineffectual brother, Clifford; and young Phoebe, a country maiden who cheerfully takes it upon herself to care for her two doddering relations. There's also Holgrave, a free-spirited daguerreotypist, who makes a surprising transformation into conventional respectability at the story's end. These people seem to be symbols for Hawthorne's theme more than full-bodied characters in their own right. As such, it can only be difficult for today's young adults to identify with them, especially since they are so caught up in a past that is all but unknown to present day sensibilities. Talented Joan Allen, twice nominated for Academy Awards, reads the tale in a clear, luminous voice. Because she has chosen not to do voices, however, it is sometimes difficult to tell which character is speaking. Still, she is more than equal to the task of handling Hawthorne's stately prose in a presentation that will be a good curriculum support for students of Hawthorne or those seeking special insight into this work of fiction.?Carol Katz, Harrison Library, NY
Copyright 1997 Reed Business Information, Inc.

From AudioFile
An almost operatic plot told in language that has the precision of architecture makes this classic American tale difficult for many of today's impatient, plot-oriented readers. For this reason, the Naxos production is to be commended. Marinker's enunciation maintains clarity, as well as good momentum. Some ironic nuances escape him, and, at times, he reveals indecision about how much acting to inject into the performance. A case in point is the quavering, falsetto voicing of Aunt Hepzibah. The classical music between breaks is elegant though a couple of transitions are obtrusive and inept. S.B.S. (c)AudioFile, Portland, Maine

Review
"A large and generous production, pervaded with that vague hum, that indefinable echo, of the whole multitudinous life of man, which is the real sign of a great work of fiction."
—Henry James