Product Description

From the winner of the 2004 Caldecott Medal comes a memorable new work, a novel of singular insight and imagination that transports readers to the Old Country, where "all the fairy tales come from, where there was magic — and there was war." There, Gisella stares a moment too long into the eyes of a fox, and she and the fox exchange shapes. Gisella's quest to get her girl-body back takes her on a journey across a war-ravaged country that has lost its shape. She encounters magic, bloodshed, and questions of power and justice — until finally, looking into the eyes of the fox once more, she faces a strange and startling choice about her own nature. Part adventure story and part fable; exciting, beautifully told, rich in humor and wisdom, The Old Country is the work of an artist and storyteller at the height of his powers.

Product Details

• Amazon Sales Rank: #1130105 in Books
• Published on: 2005-04-19
• Original language: English
• Binding: Hardcover
• 144 pages

From School Library Journal
Grade 3-6–Framed as an elderly immigrant's story, this overly ambitious tale transpires in a war-torn Balkanesque country in which various factions fight for possession of the land while everyone wishes to oust the Crags. When her brother is conscripted and goes off to war, young Gisella is left to hunt for and kill a chicken-stealing fox that has terrorized her family. However, a trial is held among the forest animals and the fox is exonerated for her "crimes." In spite of her lifelong warnings, Gisella looks too long into its eyes and she and the fox trade shapes. War separates the humans from the now fox-girl and her animal companions, but they arereunited in prison. A shape-shifting woodland sprite and an enigmatic "owl person" appear to explain the human ravages on the magical world at a "crossroads," where animals can communicate with humans. Through them, Gerstein explores whether evil is inherent in the world, the costs of war, and the existence of magic. Elements of fantasy and traditional literature are threaded through the realistic and semi-historical horrors of war. This pastiche of theme and genre, tone and voice confuses readers' expectations and ultimately dilutes the story's power. Humor follows horror. Buffoonish royalty is overthrown by covetous generals, Gisella's blinded brother recovers his sight via some gruesome magic and leads the fight for a Crag homeland, and the baffling outcome of the fox/girl body swap may put off readers as well. This is a challenging burgoo of a novel and a rambling character-ridden tale that may have a difficult time finding and holding an audience.–Susan Hepler, Burgundy Farm Country Day School, Alexandria, VA
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From AudioFile
Never make an assumption about a Mordicai Gerstein story! Gerstein weaves together the ancient and modern as wars are fought, shapes are shifted, animals and people talk--all at that illusive juncture where worlds and stories converge. Tovah Feldshuh lives the story. Her characterizations will amaze--from the determined heroine, Gisella, her great aunt, and their animated relatives to the conniving fox and myriad creatures who impact Gisella's every move. Feldshuh's quick pacing underscores the urgency. Listeners will be charmed. A.R. © AudioFile 2005, Portland, Maine-- Copyright © AudioFile, Portland, Maine

From Booklist
Gr. 7-10. In this fairy tale-like allegorical novel, Caldecott medalist Gerstein beckons readers to consider human versus animal natures, issues he first explored in his historical novel Victor (1998). Framed as a New World immigrant's autobiography, as recited to her skeptical but enthralled great-granddaughter, the narrative tells of a girl named Gisella who is tricked into swapping bodies with a wily fox. In her alien but exhilarating new form, she must travel through the war-ravaged Old Country (where "all fairy tales come from") to reclaim her original body and to rescue family members imprisoned by a ruthless, xenophobic emperor for being "Crags" (a beleaguered ethnic group). Though unassuming in length and brimming with references to familiar stories, including Alice in Wonderland, Gisella's adventure comes layered with troubling symbolism and a kind of muffled moodiness that constantly shadows her childlike hope for "the warm glow of a happy ending." Suggest this to older readers, as well as college-level children's literature students, perhaps alongside an examination of Maurice Sendak's Brundibar (2003), which is similar in theme and tone. Jennifer Mattson
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