Product Details

• Amazon Sales Rank: #1050812 in Books
• Published on: 2005-04
• Original language: English
• Binding: Audio CD

From Publishers Weekly
This effectively spare, lyrical account chronicles Philippe Petit's tight rope walk between Manhattan's World Trade Center towers in 1974. Gerstein (What Charlie Heard) begins the book like a fairytale, "Once there were two towers side by side. They were each a quarter of a mile high... The tallest buildings in New York City." The author casts the French aerialist and street performer as the hero: "A young man saw them rise into the sky.... He loved to walk and dance on a rope he tied between two trees." As the man makes his way across the rope from one tree to the other, the towers loom in the background. When Philippe gazes at the twin buildings, he looks "not at the towers but at the space between them.... What a wonderful place to stretch a rope; a wire on which to walk." Disguised as construction workers, he and a friend haul a 440-pound reel of cable and other materials onto the roof of the south tower. How Philippe and his pal shang the cable over the 140-feet distance is in itself a fascinating-and harrowing-story, charted in a series of vertical and horizontal ink and oil panels. An inventive foldout tracking Philippe's progress across the wire offers dizzying views of the city below; a turn of the page transforms readers' vantage point into a vertical view of the feat from street level. When police race to the top of one tower's roof, threatening arrest, Philippe moves back and forth between the towers ("As long as he stayed on the wire he was free"). Gerstein's dramatic paintings include some perspectives bound to take any reader's breath away. Truly affecting is the book's final painting of the imagined imprint of the towers, now existing "in memory"-linked by Philippe and his high wire. Ages 5-8. (Sept.)
Copyright 2003 Reed Business Information.

From School Library Journal
Kindergarten-Grade 6-As this story opens, French funambulist Philippe Petit is dancing across a tightrope tied between two trees to the delight of the passersby in Lower Manhattan. Gerstein places him in the middle of a balancing act, framed by the two unfinished World Trade Center towers when the idea hits: "He looked not at the towers, but at the space between them and thought, what a wonderful place to stretch a rope-." On August 7, 1974, Petit and three friends, posing as construction workers, began their evening ascent from the elevators to the remaining stairs with a 440-pound cable and equipment, prepared to carry out their clever but dangerous scheme to secure the wire. The pacing of the narrative is as masterful as the placement and quality of the oil-and-ink paintings. The interplay of a single sentence or view with a sequence of thoughts or panels builds to a riveting climax. A small, framed close-up of Petit's foot on the wire yields to two three-page foldouts of the walk. One captures his progress from above, the other from the perspective of a pedestrian. The vertiginous views paint the New York skyline in twinkling starlight and at breathtaking sunrise. Gerstein captures his subject's incredible determination, profound skill, and sheer joy. The final scene depicts transparent, cloud-filled skyscrapers, a man in their midst. With its graceful majesty and mythic overtones, this unique and uplifting book is at once a portrait of a larger-than-life individual and a memorial to the towers and the lives associated with them.
Wendy Lukehart, Washington DC Public Library
Copyright 2003 Reed Business Information, Inc.

From AudioFile
In 1974, Philippe Petit, a French aerialist and street performer, disguised himself as a construction worker and shot a strong wire from one tower of the World Trade Center to the other. In a death-defying dance, Petit crossed the 140 feet between the towers, a quarter of a mile above New York City. Petit was arrested and sentenced to perform for children in the parks. Gerstein's reading is congenial and disarming. His images are spare yet lyrical, magical and poetic; his performance, completely engaging. His understated delivery captures Petit's playful nature, his delight in imagining himself in the space between the towers, and his satisfaction at achieving the impossible. The closing somber words, "Now the towers are gone," create an indelible memory, part joy, part grief. S.J.H. © AudioFile 2005, Portland, Maine-- Copyright © AudioFile, Portland, Maine

Customer Reviews

Unique Illustrations; Interesting Story
This 2004 Caldecott winner is based on the true story of Philippe Petit. During the contruction of the World Trade Center, he devised a plan to walk a tightrope between the twin towers. The illustrations are the main feature of this book. There are some wonderful overhead perspectives that allow the reader to get a sense of how it would actually feel to walk hundreds of feet in the air. This book does not dwell on the loss of the towers (although it is mentioned), but rather celebrates the courageous spirit of Philippe Petit. Both children and adults will find this story interesting.

A tribute to the WTC towers and one dream they inspired
On an otherwise normal day in August 1974, a young Frenchman pulled off what may be the most impressive (not to mention foolhardy) wire-walking exhibition in history. New York City's early commuters looked up to the almost-completed World Trade Center towers to see a man, experienced aerialist Phillippe Petit, walking back and forth across them on a wire. This amazing (albeit highly illegal) achievement has now been immortalized in impressive ink and oil paintings in Mordicai Gerstein in The Man Who Walked Between the Towers. Among the artwork you will find the ingenious use of two foldout illustrations, each one establishing an amazing change in perspective of Petit's wire-walking feat and making the drama of the event all that more palpable. Published in 2003 and the recipient of The Caldecott Medal, this book is sure to captivate many young minds with its story and artistry (with a sense of vertigo thrown in absolutely free of charge), and it does stand as something of a touching reminder of the two towers that fell on September 11, 2001 and the spell they cast in their own silent yet mighty fortitude.

Alongside the artwork is the story, economically told, of Petit's dream and the manner in which he made it come true. It describes how he and some friends dressed up as construction workers, hid out on both towers until nightfall, and got the wire-walking cable (which was a mere seven-eighths of an inch wide) in place, after which Petit walked, ran, danced, and even lay down on the outstretched wire over the course of nearly an hour. He was then, of course, arrested but, to my surprise, ordered only to perform his feats for the children of New York City. This is a fabulous story that will literally take your breath away, especially if you are as afraid of heights as I am, but I can't get over just how dangerous and illegal this was (to his friends as well as himself) and can only wonder how Petit got off so easily.

Using lyrical words and ink/oil paintings
In 1974 as the World Trade Center was being built, young French aerialist Philippe Petit spent almost an hour on a tightrope walking, dancing and doing tricks between the two towers. Man Who Walked Between The Towers tells his story using lyrical words and ink/oil paintings which are endearing and revealing.