Product Description

In an Author's Note at the end of his book The Widow of the South, Robert Hicks tells us that "when Oscar Wilde made his infamous tour of America in 1882, he told his hosts that his itinerary should include a visit to 'sunny Tennessee to meet the Widow McGavock, the high priestess of the temple of dead boys.'"Carrie McGavock, The Widow of the South, did indeed take it upon herself to grieve the loss of so many young men in the battle of Franklin, Tennessee, which took place on November 30, 1864.Nine thousand men lost their lives that day.She and her husband John eventually re-buried on their own land 1,481 Confederate soldiers killed at Franklin, when the family that owned the land on which the original shallow graves had been dug decided to plow it under and put it into cultivation.Before the battle begins, Carrie's house is commandeered for a field hospital and all normal life is suspended.Carrie is anything but normal, however.She has buried three children, has two living children she pays little attention to, has turned the running of the house over to her slave, Mariah, and spends her time dressed in black walking around in the dark or lying down lamenting her loss.She is a morbid figure from the outset but becomes less so as the novel progresses.The death going on all around her shakes her out of her torpor, but death is definitely her comfort zone.One of the soldiers who is treated at the house is Zachariah Cashwell, who loses his leg when Carrie sends him to surgery rather than watch him die.They are inextricably bound in some kind of a spiritual dance from then on.Their reasons for being drawn to each other are inexplicable, apparently, because they remain unexplained, and when Cashwell tells Carrie he loves her, she beats him nearly to death because she loves him too.At least, that is the reason Hicks gives.He violates that first caveat given to all writers: "show us, don't tell us."There is doubtless something deeply flawed in Carrie and screamingly symbolic about her behavior; it is surely elusive.Too bad, because Carrie was a real person whom Hicks lauds for her compassion and ability to grieve without end.Then, he throws in this gratuitous "love story" and confuses the issue.Carrie's relationship with her husband and children remains unexamined. Hicks is better at describing death and "the stink of war" than he is at life.If you read War and Peace and loved all the war parts and were bored senseless by the peace parts, this is your cup of tea. --Valerie Ryan

Product Details

• Published on: 2006-09-26
• Formats: Abridged, Audiobook
• Original language: English
• Dimensions: 5.75" h x .75" w x 5.25" l, .35 pounds
• Binding: Audio CD

From Publishers Weekly
Hicks's big historical first novel, based on true events in his hometown, follows the saga of Carrie McGavock, a lonely Confederate wife who finds purpose transforming her Tennessee plantation into a hospital and cemetery during the Civil War. Carrie is mourning the death of several of her children, and, in the absence of her husband, has left the care of her house to her capable Creole slave Mariah. Before the 1864 battle of Franklin, Confederate Gen. Nathan Bedford Forrest commandeers her house as a field hospital. In alternating points of view, the battle is recounted by different witnesses, including Union Lt. Nathan Stiles, who watches waves of rebels shot dead, and Confederate Sgt. Zachariah Cashwell, who loses a leg. By the end of the battle, 9,000 soldiers have perished, and thousands of Confederates are buried in a field near the McGavock plantation. Zachariah ends up in Carrie's care at the makeshift hospital, and their rather chaste love forms the emotional pulse of the novel, while Carrie fights to relocate the buried soldiers when her wealthy neighbor threatens to plow up the field after the war. Valiantly, Hicks returns to small, human stories in the midst of an epic catastrophe. Though occasionally overwrought, this impressively researched novel will fascinate aficionados.
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From AudioFile
Paul Boehmer starts this ensemble reading in hushed tones, as if afraid he'll be caught. In short order, it's clear why. While the novel's factual roots--Southerner Carrie McGavock's lifelong devotion to the buried Confederate dead in her plantation's cemetery--are poignant, author Hicks reduces Carrie to a lovesick cipher who meanders through a cliché-riddled romance with a wounded soldier to whom she's inexplicably drawn. The narrators make a valiant effort--Lorna Raver is suitably creaky and drawly, Stephen Hoye does his level best to imbue every sentence he utters with impending doom, and Scott Brick wrangles various soldiers who wander in and out of this audiobook-- but the listener's mind will wander. A.M.D. © AudioFile 2006, Portland, Maine-- Copyright © AudioFile, Portland, Maine

From Booklist
*Starred Review* Carrie McGavock witnessed the Battle of Franklin in Tennessee, on a day in 1864 when 9,000 soldiers were slaughtered, the vast majority of them Confederate. Carrie, the central character in this mesmerizing novel, was an actual historical figure. Her farm was close by the scene of the battle, and her house was commandeered as a makeshift hospital. And what Carrie the fictional character does after the battle, the actual Carrie did in real life. When more than 1,000 Confederate bodies buried in a neighboring field were threatened with desecration, she and her husband moved them to their own land and organized the only private Confederate cemetery. The brewing of the battle, its events, and the wound-healing time afterward are told by Hicks not only from Carrie's perspective but also from the points of view of Mariah, Carrie's slave-turned-friend; Carrie's plantation-owning husband; Union and Confederate soldiers and officers; and Carrie's neighbors. The author gracefully yet forcefully enters the psychology of these various individuals, each one representing a certain side in not only the battle at hand but also in the overarching context of nation rending. And, almost strangely yet certainly beautifully, from all this carnage emerges a love story that transcends time. See the adjacent Read-alikes column for other novels about the Civil War that use the multiple-perspectives device. Brad Hooper
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