Product Description

Mike Mignola's character has never been more popular, especially in the wake of the long-awaited feature film, and unprecedented success in bookstores. His award-winning series Hellboy has been lauded as much by other artists as it has by award ceremonies and fans. Over the years, many of the best artists in the industry have asked if they could do a backup story just to get a chance to play with the characters and worlds Mignola has created. As Dark Horse basks in the glow of critical praise for the 2004 Hellboy motion picture, we present this lavish collection of stories.

Product Details

• Amazon Sales Rank: #166860 in Books
• Published on: 2004-10-19
• Original language: English
• Dimensions: .30" h x 6.66" w x 10.16" l, .73 pounds
• Binding: Paperback
• 144 pages

From Publishers Weekly
Mike Mignola's popular character Hellboy is headed toward the big screen, and Mignola's turned him over to an array of creators to produce short stories, collected in this volume. Hellboy is a devilish looking paranormal investigator with a sense of humor, and his adventures are infused with a spooky gothic horror, sarcastic wit and a sense of movie serial fun held over from the 1940s. Hellboy's basic concept is broad, allowing creators room to play with ghosts, demons, foreign landscapes and a well-designed character who lends himself to a multitude of interpretations from dead serious to wacky. The collection of 13 stories has no duds, and quite a few excellent pieces. Of the more successful ones, a few stand out. Bob Fingerman's hilarious slapstick version of Hellboy has him investigating a soda machine that ate his dollar. John Cassaday contributes a solemn and cinematic story about a ghostly circus that pays off with a dramatic ending. And Andi Watson tells a seemingly serious birthday story with a touching finale. Roger Langridge and Eric Powell keep things light, both contributing funny, lovingly rendered stories that treat Hellboy and the paranormal as fertile ground for jokes. This entertaining collection is accessible to even the Hellboy neophyte, and highly recommended for adventure comics lovers.
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From School Library Journal
Grade 10 Up-Weird Tales was a horror/fantasy/pulp anthology published in prewar America. Hellboy is a paranormal detective from Hell (where else?). This collection of stories is in the spirit of the original, featuring Hellboy depicted by a wide variety of comic creators; some stay true to the appearance of the original character. The plots are as varied as the creators. In a softly drawn story by Haden Blackman and J. H. Williams III, Hellboy gets hit on by a sexy female fellow investigator; courtesy of Kia Asamiya and Akira Yoshida, he has a manga-style adventure; and in Evan Dorkin's entry, he experiences a sickly hilarious run-in with a Norwegian black metal band. Mignola gave these artists free reign, and they do indeed take it-though each story is 10 pages or less, the plots are elaborate yet self-contained. Dorkin's contribution, for example, also features a giant regurgitating baby and a fake psychologist, which make perfect sense by tale's end. It's not necessary to be a Hellboy fan to enjoy the selections.-Jamie Watson, Harford County Public Library, MD
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From Booklist
Hellboy, the demon-turned-paranormal-investigator who recently made the move from comic books to the big screen, returns in another collection of adventures in which he tracks down phenomena ranging from a poltergeist World War II pilot to a ghostly Grand Guignol troupe. Here, as in the first Weird Tales [BKL F 1 04], Hellboy creator Mike Mignola turns his creation over to pinch hitters including mainstream superhero artists Jim Starlin and Gene Colan, fan-favorites Jill Thompson (Sandman, Scary Godmother) and P. Craig Russell (The Ring of the Nibelung), and acclaimed alternative-comics writer-artists Craig Thompson (blankets) and Scott Morse (Barefoot Serpent), who seldom dabble in genre work. A bonus section sports full-page illustrations of the hero by such stellar illustrators as Dave Stevens, Michael Kaluta, and Frank Cho. The package is uneven but seldom less than entertaining, and a wide range of approaches to Hellboy, from Kia Asamiya and Akira Yoshide's manga-like story about ghostly children to Evan Dorkin's cartoony tale of Norwegian metalheads and a baby frost giant, make for a heterogeneity most similar collections lack. Gordon Flagg
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