Classic Book Jackets: The Design Legacy Of George Salter
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Product Description
For more than 30 years George Salter created beautifully drawn and lettered book jackets that served as elegant windows into the works of authors such as Albert Camus, Jack London and Thomas Mann. His life spanned two continents and cultures as well as the worst political turmoil of the 20th century. Classic Book Jackets tells his story and describes his innovative design thinking. Included are over 200 reproductions of his finest works and a complete catalogue of his jackets, designs, layouts and lettering jobs for the book trade.
Product Details
- Amazon Sales Rank: #271244 in Books
- Published on: 2004-11-15
- Original language: English
- Dimensions: 1.54 pounds
- Binding: Paperback
- 200 pages
Editorial Reviews
From Publishers Weekly
In today’s maximum-impact market, with bold colors and graphics plastering book jackets of all sorts, it’s refreshing to peruse this book, which features the work of George Salter, one of the most successful book-jacket designers of the past century. It starts with a biographical synopsis of Salter’s work, but the real raison d’être here are the illustrations, which show how brilliantly Salter captured a book’s theme and plot. Take the swirling collage of characters and images on his cover for Isak Dinesen’s Winter’s Tales or the haunting images of ghost-like figures looking upon a man in a black suit in his cover for Franz Kafka’s The Trial. Sometimes the book cover’s relation to the subject is subtle, yet definite—for instance, a series of wavy lines against a black backdrop on the cover of Evelyn Waugh’s The Ordeal of Gilbert Pinfold subtly depicts the book’s topic: one man’s neurological illness. This overview commendably goes a step further than the jackets themselves, showing Salter’s lasting contributions to the world of book design, such as a three-dimensional, calligraphy-inspired font called "Flex." Sometimes, one does wish for a bit more cross-study—it would have been nice, for instance, to see examples of Salter’s "Flex" font in recent work by today’s designers—but, overall, this is a pleasantly nostalgic look at an important figure in the world of books. 220 color illustrations.
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About the Author
Thomas Hansen teaches German at Wellesley College in Massachusetts.
