Product Description

“If you wanted to kill your spouse and get away with it, you had to do something truly ingenious: something that wouldn’t even be perceived as murder. And that was the service that Andrew Rusk had found a way to provide. Like any quality product, it did not come cheap. Nor did it come quickly. And perhaps most important of all, it was not for those with weak constitutions. Demand was high, of course, but few people were truly suitable clients. It took a deep-rooted hatred to watch your spouse die in agony, knowing that you had brought about that pain. But on the other hand, some people bore up remarkably well.” With these words, New York Times bestselling author Greg Iles returns to his trademark Southern milieu in this terrifying thriller, an unnerving tale of evil lurking beneath the veneer of idyllic suburban life. Brimming with the masterful suspense and intense psychological drama that made Turning Angel, Blood Memory, and The Quiet Game bestsellers, True Evil tells the chilling story of a divorce attorney who may be orchestrating the deaths of his clients’ spouses, bringing new meaning to the phrase “’til death do us part.” Dr. Chris Shepard is thirty-six years old, newly married, and well on his way to a perfect life. Or so he believes. But that future is forever cast into doubt the day Special Agent Alexandra Morse walks into his office and drops a bombshell: Dr. Shepard’s beautiful new wife is plotting his murder. Shepard is so shocked that he almost throws Agent Morse out of his office. Yet once he is alone, doubt begins to gnaw at him. Paranoia magnifies the small cracks in his marital relationship, and soon he can have no peace unless he knows the truth. When Agent Morse reappears, Chris agrees to act as bait to help her unravel the divorce lawyer’s scheme, which may already have cost nine unsuspecting spouses their lives. At the center of the mystery lies a maddeningly simple question: If these people really were murdered, why can’t the FBI prove it? Rigorous autopsies have uncovered no forensic evidence of foul play, and the police believe no crimes have occurred. As Dr. Shepard and Agent Morse struggle against an invisible adversary, Shepard realizes that he’s working with a desperate woman. The reason: the killer’s last known victim was Alex Morse’s sister, who from her deathbed accused her husband of murder and extracted a vow that Alex save her ten-year-old nephew from his father. This has driven Alex to risk both her life and her career to fulfill that vow. But Chris Shepard soon feels desperation of his own. As he probes his wife’s hidden past, he is confronted by the probability that the woman he loves wants him dead. He has adopted her son and given her everything he has to give, and yet somewhere out there, a killer with the brilliance to outwit the top forensic scientists in the world is closing in on him. Who is this merciless assassin? Why is murder an art form for him? And what clues could exist to lead them to a man of such twisted talents? Not even the clients who hire him know his identity, and the lawyer who works with him fears him above all else. Most terrifying, those who choose murder over divorce soon learn a terrible truth: once set in motion, the instrument of their anger cannot be stopped.

Product Details

• Amazon Sales Rank: #1649284 in Books
• Published on: 2006-12-12
• Released on: 2006-12-12
• Formats: Audiobook, CD, Unabridged
• Original language: English
• Dimensions: 1.38" h x 5.16" w x 7.02" l, .71 pounds
• Binding: Audio CD

From Publishers Weekly
As well-tuned here as he was when he narrated Iles's last Deep South thriller, Turning Angel, Hill takes a smart half-step back from the novel's near-hyperbolic but effective mixture of suspense and spooky science. The plot begins at full gallop, with the smugness of self-satisfied Dr. Chris Shepard shattered by the news from frantic FBI agent Alexandra Morse that his wife has been talking to a divorce lawyer. Not just any lawyer, but one whose clients' spouses, like Morse's sister, die seemingly of natural causes. Über-villain and genius scientist Dr. Eldon Tarver justifies the novel's title by developing deadly and undetectable biological viruses and testing them on unwanted better halves. Iles's characters are almost over-the-top, but Hill captures their personalities without overdoing it. He holds to the pace Iles sets in slowly upping the suspense ante, but he does it in a manner more modulated than breathless, adding to the building tension. When Tarver injects Shepard with a quick-acting cancer virus, Hill renders the event in subdued tones. The effect is as startling as if an insect suddenly flew into your ear.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From AudioFile
As FBI Special Agent Alexandra Morse's sister lies dying in the hospital, she whispers that she has been attacked and that her husband is responsible. Alex's investigations lead to a handful of suspicious deaths, all tied to one divorce lawyer. By staking out his office, she identifies the killer's next victim, Dr. Chris Shepard. Together Alex and the doctor try to unravel the multilayered scheme that has been set into motion. Dick Hill delivers a dramatic performance with voices that both menace and soothe. There is little relief from the tension and drama, and Hill's performance compels listeners through it. S.S.R. © AudioFile 2007, Portland, Maine-- Copyright © AudioFile, Portland, Maine

From Booklist
The new novel by the author of, among others, Mortal Fear (1996), 24 Hours (2000), and (most recently) Turning Angel (2005)begins with a big surprise. Dr. Chris Shepard, a doctor in Natchez, Mississippi (where the author lives), is visited by an FBI agent who tells him two things: a local divorce lawyer has a series of clients whose spouses have all died suspiciously, and Dr. Shepard's wife paid this lawyer a visit about a week ago. Now agent Alex Morse wants Dr. Shepard to help her trap a killer. If Iles has a trademark, a single literary feature that identifies him, it's his intriguing, ordinary-people-in-extraordinary-situations premises that hook readers immediately, forcing us to read on. How will Chris Shepard, a successful doctor in a seemingly happy marriage, react to the news that his wife may be planning to have him killed? Will Alex Morse, the deeply troubled FBI agent (she's still recovering from her own brush with death), confuse professional responsibility with personal interest? Before you know it, you've reached the last page, and you're all out of breath--but you've had one hell of a ride. Plot-driven is too often used as a pejorative term; Iles shows the other side. David Pitt
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