Product Description

1926. Sylvia Townsend Warner's first novel is an enduring, subversive, and lyrical portrait of spinsterhood in post-World War I Britain. Lolly is a single woman and after her father dies, she is moved, as a matter of course, to her brother's house, where she meekly obliges to play caregiver to his children and housemaid to his wife. After 20 years of this life she moves to the rural village of Great Mop. She feels an affinity for the town, the countryside, and her new neighbors. She blossoms emotionally and spiritually, and as she does so, she discovers an important secret: She is a witch, as is everybody else who lives in Great Mop. A graceful read in the tradition of women's fiction and magic realism.

Product Details

• Amazon Sales Rank: #1975011 in Books
• Published on: 2004-05
• Original language: English
• Dimensions: .61" h x 6.10" w x 9.12" l, .83 pounds
• Binding: Paperback
• 256 pages

From Amazon.com
Sylvia Townsend Warner began her literary career as a poet, and her first novel is as nimble and precise as poetry and reads as if it might have been composed to a meter. Like some of Jane Austen's fiction, Lolly Willowes is a comedy about the perils, pleasures, and consolations of spinsterhood, and the predicament of its heroine is at first deliberately and deceptively commonplace. "Aunt Lolly, a middle-aging lady, light-footed upon stairs, and indispensable for Christmas Eve and birthday preparations," is nevertheless troubled by vague, indefinable longings, a hankering after the solitude of woods and dark rural places. At last a revelation in a greengrocer's leads her to abandon her outraged London family and take rooms in an obscure hamlet, Great Mop.

Here her neighbors keep curiously late and noisy hours, but otherwise allow her to pass the time "in perfect idleness and contentment." She is eventually pursued into her idyll, however, by her nephew, and Titus's familiar small demands drive her to rage and despair: "No! You shan't get me. I won't go back. I won't.... Oh! Is there no help?" She is promptly visited by a mysterious black kitten, who fastens its claws upon her hand and draws blood. At once she understands. The kitten is her familiar, and has been sent by dark forces. "She, Laura Willowes, in England, in the year 1922, had entered into a compact with the Devil."

She has, in short, become a witch--or, rather, she has rediscovered her own slumbering diabolical potential, in the unlikely setting of a Buckinghamshire hamlet that--as she now realizes--is peopled entirely by witches. Laura soon attends a rollicking but ultimately rather disappointing midnight Sabbath; she is visited by Satan in the shape of a pleasant-faced man in a corduroy coat and gaiters who rids her of Titus and restores her to privacy and peace. She is left with a vision of the women "all over England, all over Europe ... as common as blackberries, and as unregarded" to whom he has offered the promise of adventure, "the dangerous black night to stretch your wings in." It is this vision that lends the novel its subversive edge, that ultimately allies it less with the work of Austen than with that of Virginia Woolf, and with later feminists. They "know they are dynamite," says Laura of Satan's women, "and long for the concussion that may justify them." --Sarah Waters

William Maxwell
[Sylvia Townsend Warner] had a connoisseur's eye for the bogus, and a hatred of the assumptions of privilege. Her heart was with the hunted, always...Along with an extraordinary fancy she had a deep understanding of human behavior, so that nothing, no feeling, seemed to lie beyond the reach of her imagination...She had the true novelist's awareness of the wheel (the image is hers) turning and turning in 'the bright implacable river' of life.

About the Author
Born in Harrow (1893-1978) Sylvia Townsend Warner published seven novels, four volumes of poetry, a volume of essays and eight volumes of short stories. She lived most of her adult life with her close companion Valentine Ackland in Dorset and Norfolk.