Product Description

New Museum Theory and Practice is an original collection of essays with a unique focus: the contested politics and ideologies of museum exhibition.

• Contains 12 original essays that contribute to the field while creating a collective whole for course use.
  
• Discusses theory through vivid examples and historical overviews.
  
• Offers guidance on how to put theory into practice.
  
• Covers a range of museums around the world: from art to history, anthropology to music, as well as historic houses, cultural centres, virtual sites, and commercial displays that use the conventions of the museum.
  
• Authors come from the UK, Canada, the US, and Australia, and from a variety of fields that inform cultural studies.

Product Details

• Amazon Sales Rank: #1397385 in Books
• Published on: 2005-09-21
• Format: Illustrated
• Original language: English
• Binding: Hardcover
• 352 pages

Review
“This is an ambitious book, setting out as it does to explore the gamut of ‘new’ museum theory and practice. The essays in this book are diverse, but together they suggest virtually all of the recent major intellectual and political shifts within the museum world.” (Museum Anthropology, Summer 2008)

“This book is inspiring and ... offers an excellent vision of why and how the museum will matter more in the 21^st century.” (Muse)

Review
“This book offers a fresh approach to teaching museum studies – combining a synoptic view of prevailing museum theories with pragmatic end of chapter review questions.” 
–Flora Edouwaye S. Kaplan, New York University

“An excellent book for students of museums. In developing a creative and effective analytical toolkit for critical museum visitors, this original volume will also prove essential for aspiring museum professionals.” 
–Eilean Hooper-Greenhill, University of Leicester

From the Back Cover
New Museum Theory and Practice is an original collection of essays with a unique focus: the contested politics and ideologies of museum practice. This lively introduction, comprised of essays authored by curators, archivists, scholars, teachers, and conservators from around the world – including the Tate, the Smithsonian, and the Experience Music Project – and from all levels of museum studies, examines the incendiary issues currently raging in the field. Complete with editorial introductions, questions for students, and a comprehensive bibliography, the volume surveys the concerns of the museum in language accessible to undergraduate and graduate students of art history, studio art, and museum studies.