Product Details
Making Gourd Musical Instruments: Over 60 String, Wind & Percussion Instruments & How to Play Them

Making Gourd Musical Instruments: Over 60 String, Wind & Percussion Instruments & How to Play Them
By Ginger Summit, Jim Widess

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Product Description

Pluck them, bang them, shake them, and blow into them! These instruments—from wood temple gongs to water drums and stamping tubes—produce every type of joyful noise. Make a fun “gourd orchestra” of rattles, like a Mesoamerican Indian rain stick and African shekere; a Caribbean guiro; a gorgeous mbira or thumb piano; and friction drums that wail or roar. There are instruments from near and far, from the unusual to the familiar banjo and guitar. Tips on choosing, cleaning, and sealing a gourd, and decorating and playing the finished instrument, help to create beautiful music.

Product Details

  • Amazon Sales Rank: #386683 in Books
  • Published on: 2007-03-01
  • Original language: English
  • Dimensions: .45" h x 8.30" w x 9.70" l, 1.15 pounds
  • Binding: Paperback
  • 144 pages

Editorial Reviews

From Library Journal
Historically, ethnic groups in many countries have used a great number of musical instruments made from gourds. In North America these instruments are used mainly by percussionists. Most of the step-by-step projects in this book by gourd artists Summit and Widess (The Complete Book of Gourd Craft) are for percussion or stringed instruments such as the Latin American guiro (gourd scraper) or the spike fiddle. There are also a few from the wind family, such as the fipple flute. These are legitimate musical instruments made from traditional materials, and they are fully playable as well as being beautifully crafted. Highly recommended for general crafts as well as ethnomusicology collections.
Copyright 2000 Reed Business Information, Inc.

From Booklist
The authors introduce readers to make-it-yourself musical instruments. There is an amazing wealth of information here, covering not only how-to's and history but also extending into the social sciences and even science. We learn that pigeon flutes (crafted gourds attached to the birds' tails) were first mentioned about A.D. 1041 A.D. and that drummers are highly respected in India. Actual instructions on gourd transformations into spike fiddles, water drums, and even xylophones are included, along with a few photographs. But all the erudition tends to drown out the craft aspect, since instructions are sandwiched within the narrative text, and photographs are less than optimal. Nonetheless, a book that patient crafters will appreciate. Barbara Jacobs