The Abstract Wild
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Product Description
Product Details
- Amazon Sales Rank: #194322 in Books
- Published on: 1996-09-01
- Original language: English
- Dimensions: .51" h x 5.61" w x 9.36" l, .60 pounds
- Binding: Paperback
- 136 pages
Editorial Reviews
From Amazon.com
Much contemporary environmental literature names as enemies of the wild corporate agriculture, logging, mining, and ranching. For mountain guide/philosopher Jack Turner, these will not do. He dislikes even more the abstractions that divorce us from the natural world, which cause us to create pseudo-wild locales like Yellowstone National Park and Grand Canyon, places that resemble nothing so much as Disneyland. Wilderness advocates who do not make themselves at home in the wild, he believes, cannot hope to understand the object of their desires, for only from that "complete immersion in place over time" can there arise the "wisdom that cannot emerge from tourism in a relic wilderness." This sometimes blistering, provocative book is an eco-radical manifesto of a kind, and every reader concerned with wilderness issues should pay attention to it.
From Publishers Weekly
These eight provocative essays turn on a common theme: how wildness (once but no longer the essence of wilderness) has been mediated, micromanaged and abstracted nearly out of existence. The essays include rants against the status quo, memoirs of wild places and a tribute to Doug Peacock, who dared to live among grizzlies. Turner, a former academic who's now a mountain guide in the Grand Tetons, infuses his writing with a restless anger, best felt when read fast. At times, he exhibits a penchant for hyperbole ("Yosemite Valley is more like Coney Island than a wilderness"), and his tone can run a bit high-handed, as when he loftily compares his mountaineering to the predilections of pelicans. He is most persuasive when relying on the language of experience: coming upon a wall of prehistoric pictographs in a Utah canyon, tracking a mountain lion in Wyoming, listening to the clacking of soaring white pelicans. One essay, "Economic Nature," starkly reveals both Turner the pedant, excoriating the language of economics that controls the way we see the world, and Turner the meditative poet ("Dig in someplace.... Allow the spirits of your chosen place to speak through you. Say their names."). Both are persuasive. In the end, Turner has produced a manifesto that defends the wild by passionately restoring its good Thoreauvian name.
Copyright 1996 Reed Business Information, Inc.
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