Product Description

A Royal Academy of Arts Publication

In the 1480s, the great Italian Renaissance artist Sandro Botticelli was commissioned by Lorenzo di Pierfrancesco de' Medici to make a series of drawings to illustrate Dante's Divine Comedy. Botticelli gave stunning visual form to the poet's epic journey through Hell, Purgatory, and Paradise, but the project was never completed and the sheets were scattered.

Now, more than 500 years after their creation, all 91 existing-and very fragile-vellum sheets will be shown together for the first time, in Berlin, Rome, and London. This book, which accompanies the exhibition, illustrates each of Botticelli's canto sheets in superb color, faced by a commentary on Botticelli's pictorial response to Dante's poem by Hein-Thomas Schulze Altcappenberg of the Kupferstichkabinett in Berlin, where 84 of the sheets are permanently housed. Eight essays on Botticelli, the Medici, and the Divine Comedy complete this unprecedented volume.

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HEIN-THOMAS SCHULZE ALTCAPPENBERG is chief curator at the Kupferstichkabinett, Berlin.

PETER KELLER and JULIA SCHEWSKI are curators at the Kupferstichkabinett, Berlin. HORST BREDEKAMP teaches at the Institut fr Kunstgeschichte, Humboldt-Universitt, Berlin. DAMIAN DOMBROWSKI teaches at the Institut fr Kunstgeschichte der Universitt, Wrzburg. ANDREAS KABLITZ is a professor at the Universitt, Kln. GIOVANNI MORELLO is a curator at the Biblioteca Apostolica Vaticana, Rome. ROBERT FUCHS and DORIS OLTROGGE teach at the Fachhochschule, Kln.

270 illustrations in full color, 113/4 x 95/8"

Product Details

• Amazon Sales Rank: #1600145 in Books
• Published on: 2000-11-01
• Original language: English
• Dimensions: 1.65" h x 9.91" w x 12.22" l, 5.45 pounds
• Binding: Hardcover
• 360 pages

From Amazon.com
The Italian Renaissance painter Sandro Botticelli is probably best known for Birth of Venus and Primavera, two commissions for the young Lorenzo di Pierfrancesco de' Medici. The same delicate, rhythmic line and fanciful imagination can be found in another project for this patron: an unfinished set of drawings from the 1480s that illustrate The Divine Comedy, Dante's chronicle of his vividly imagined travels through the Inferno and Purgatory to Paradise.

For those familiar with the jewel-like colors of Botticelli's paintings, it may come as a shock that many of the 92 drawings that survive are very faint preliminary sketches. (They were made with a metal point on sheep parchment, sometimes touched up with pen and ink. A few have been colored in.) But just as the poet Virgil serves as the 35-year-old epic hero's indispensable guide, the astute running commentary in this book helps modern readers perceive how Botticelli subtly evokes the hero's feelings. "Botticelli's Dante is guided above all by his eyes," writes Hein-Thomas Schulze Altcappenberg, chief curator of Berlin's Kupferstichkabinett. "[They] are literally opened in proportion to his enlightenment, until his vision ultimately dissolves in an image of pure beauty, liberated from constraints of time and space."

By showing multiple views of the characters in a single drawing, Botticelli portrays Dante's successive reactions to what he sees and Virgil's responses to his charge's state of mind. And by giving every group of doomed souls a distinctive gesture or expression, he follows the poet's lead in illuminating both the individual and the universal. Published to accompany the exhibition of the same title that has been shown in Berlin and Rome and continues at the Royal Academy of Arts in London through June 2001, this book represents a triumph of accessible scholarship, intelligent design, and deeply rewarding content. --Cathy Curtis

From Publishers Weekly
A more artful set of interpretations can be found in Sandro Botticelli: The Drawings for Dante's Divine Comedy, an uncompleted set of 91 drawings commissioned a little over 500 years ago by Lorenzo de' Medici. Some, even with the superb, nearly full-page reproductions here, are a little hard to make out, so fragile is their vellum and faded their sepia inks. But others, in full-color or still in outline only, and scattered among the Inferno, Purgatorio and Paradiso, are breathtaking in their imaginative illuminations of Dante's lines. Essays by a slew of international scholars and commentary on each drawing, placing it within the poem and within the period's norms for illustration, round things out. Mar.

Copyright 2001 Cahners Business Information, Inc.

From Library Journal
Between 1480 and 1495, Botticelli executed a series of almost 100 drawings on vellum sheets, each based on individual cantos of Dante's Divine Comedy. It is almost certain that these exquisite and enigmatic works now hanging in the Kupferstichkabinett in Berlin and in the Vatican were done for an unfinished manuscript intended for the artist's great patron, Lorenzo di Pierfrancesco de' Medici. All of these drawings, which are being shown together for the first time, and a significant body of comparative material are gathered in this superbly illustrated and fully documented exhibition catalog. Each drawing is accompanied by a cogent summary of its canto along with an acute analysis of the drawing's formal construction, all by Kupferstichkabinett chief curator Altcappenberg. Emphasis is also given to the relationships among the drawings and to Botticelli's creative response to the cantos. There is, in addition, a helpful and informative coda of seven scholarly essays by German and Italian scholars and curators on themes surrounding the project. Art libraries should seriously consider the acquisition of this important volume. Robert Cahn, Fashion Inst. of Technology, New York
Copyright 2001 Reed Business Information, Inc.