Product Details
Zodiac

Zodiac
By Neal Stephenson

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Product Details

  • Amazon Sales Rank: #9655 in Books
  • Published on: 2007-08-10
  • Original language: English
  • Binding: Paperback
  • 320 pages

Editorial Reviews

From Amazon.com
Believe it or not, some readers find Zodiac even more fun than Neal Stephenson's defining 1990s cyberpunk novel, Snow Crash. Zodiac is set in Boston, and hero Sangamon Taylor (S. T.) ironically describes his hilarious exploits in the first person. S. T. is a modern superhero, a self-proclaimed Toxic Spiderman. With stealth, spunk, and the backing of GEE (a non-profit environmental group) as his weapons, S. T. chases down the bad guys with James Bond-like Zen.

Cruising Boston Harbor with lab tests and scuba gear, S. T. rides in with the ecosystem cavalry on his 40-horsepower Zodiac raft. His job of tracking down poisonous runoff and embarrassing the powerful corporations who caused them becomes more sticky than usual; run-ins with a gang of satanic rock fans, a deranged geneticist, and a mysterious PCB contamination that may or may not be man-made--plus a falling-out with his competent ("I adore stress") girlfriend--all complicate his mission.

Stephenson/S. T.'s irreverent, facetious, esprit-filled voice make this near-future tale a joy to read.

From Publishers Weekly
Stephenson's (The Big U) improbable hero is Sangamon Taylor, a high-tech jack-of-all-trades who inhales nitrous oxide for kicks and scouts environmental hazards for GEE, the Group of Environmental Extremists. Taylor particularly wants to nab the polluters of Boston Harbor, whose toxic sludge he monitors by zipping from illegal pipeline to illegal pipeline in his inflatable Zodiac raft. His work is slow-going and boring until the concentration of deadly PCBs rises inexplicably and then mysteriously drops to nothing. And then the "eco-thriller" begins: the bad guys are everywhere as Taylor ferrets out the connections between his bizarre landlord, a nerdy friend from college who's at work on a top-secret genetic-engineering project for a high-tech company, an industrialist-turned-Presidential-candidate and the crazed fans of Poyzen Boyzen, a heavy-metal band. In creating this all-too-conceivable story of industry and science running amok, Stephenson puts his technological knowledge elegantly to use, but never lets gadgets and gizmos take over the story. The characters are entertaining, if broadly drawn, and the rip-roaring conclusion will make a dandy denouement in the movie rendition. Film rights to Warner Brothers.
Copyright 1988 Reed Business Information, Inc.

Ingram
Attaining more than his share of enemies when his whistle-blowing practices draw attention to several environmentally careless corporations, Sangamon Taylor finds himself dodging the bullets of an unhinged genetic engineer. Reprint. K. PW.


Customer Reviews

Yes, "Eco-Thriller"4
"Zodiac" is Neal Stephenson's second book, written between the unimpressive "The Big U" and the cyberpunk classic "Snow Crash." It was mildly successful and according to Stephenson, "on first coming out in 1988 it quickly developed a cult following among water-pollution-control engineers and was enjoyed, though rarely bought, by many radical environmentalists." Unlike Stephenson's more recent works, it involves only one linear plot line, and is also of a more reasonable size. This may make it his most accessible work, though it isn't his most entertaining.

The story is told in the first person, from the perspective of Sangamon "S.T." Taylor, a Boston chemist employed by the Group of Environmental Extremists (GEE), International - an organization probably inspired by Greenpeace. S.T. works as a professional headache for industrial polluters flaunting the law and endangering their communities. His job is to terrorize the companies into acting in what is really their own best interest (i.e., not destroying the earth for short-term savings). Of course, it should go without saying that S.T. does not actually use terrorism to terrorize these polluters. Rather, he works with a potent mix of trespassing, his classic tactic of plugging up the pipes dumping toxic waste into the water supply, and his ultimate weapon: Bad Publicity.

"Zodiac" starts of with some fun actions of this sort, but the story does not really begin until S.T. unexpectedly finds incredibly large amounts of incredibly toxic PCBs in Boston Harbor. Just as soon as he starts his investigation, however, the poisons disappear - which, if it had happened spontaneously, would be a mind-boggling 'violation' of the Second Law of Thermodynamics. Since there's no known way for PCBs to be removed from the water by hand, the only explanation is that S.T. has committed the screw-up of a lifetime. No sooner has S.T. resigned himself to this fate than the PCBs reappear, in even greater quantities. That's when large numbers of people start trying to kill him. To say nothing of the Satanists. Framed as an ecoterrorist, S.T. is forced to flee Boston and join forces with the real environmental extremists in order to unravel the mystery of the PCBs, redeem himself, and, quite possibly, save the world.

So "Zodiac" really is an "Eco-Thriller," and I enjoyed it as much as (if not more than) the more famous "Snow Crash." At the very least, "Zodiac" has aged better. While some parts of "Snow Crash" read like the the wildest fantasies of the .com boom, "Zodiac" could easily be set anytime in the next (or past) twenty years. Many of the book's apparent flaws come from comparison to Stephenson's later work: "Zodiac" lacks both the intricate, awe-inspiring complexity of "Cryptonomicon" and "The Baroque Cycle" as well as much of the indescribable brand of humor that made "Snow Crash" and "Cryptonomicon" so memorable. Another gripe could be characters - except for a few main characters, they remain vague outlines for the most part. We know they're present, but don't really get a clear picture of them.

At any rate, if you're a Stephenson fan, "Zodiac" is well worth a read. Even compared to his later works, it shouldn't disappoint. On the other hand, if you're new to Stephenson, "Zodiac" is as good a place to start as any. Although it's not the experience that "Snow Crash" and "Cryptonomicon" are, it's also more accessible and not nearly as imposing as "Cryptonomicon" and "The Baroque Cycle." I recommend it.

techno-gumshoe5
This is actually my favorite Stephenson book. As a writer, his curse is usually that he lets the plot go spiraling wildly out of control. Stephenson's books usually don't so much end as grind to a halt. Zodiac is a pleasant exception. Its taut plotting and brevity is clearly modeled on the great detective novels of Dashiell Hammet et al, and doesn't stray into self-importance, and it still has all the wit that makes his books so much fun. Great reading!

Eaten by the Bugs3
Zodiac is described on the cover blurb as an 'eco-thriller', and for a change the blurb is close to being accurate. The book's main character is an ecological-crime detective, busily hunting down evidence of corporations illegally dumping hazardous waste and using publicity stunts and clogging up discharge pipes with cement as his main weapons against these companies. The book takes on a decided thriller aspect with the introduction of gene-tailored bacteria, designed to 'eat' contaminates, but there is a variety that generates them instead. How these bacteria are tracked down and controlled provides the main thrust for this book.

The plot is the main driver here, characterization outside of the protagonist is definitely skimpy, and in places the ecological warnings (though presented with apparent good scientific backing) become a little too strident, in places reminding me of Philip Wylie's The End of the Dream. Unlike some of his later books, his message is delivered almost directly, with little in the way of satire, irony, or his by-now patented brand of humor. The plot moves rapidly and logically, with enough potential hazard in the situation to easily quality as a 'thriller'. This makes for a quick read, but without his special zing that would make this book stand out.

Definitely an early effort, not in the class of his Snow Crash or The Diamond Age, still quite readable, but probably a must only for Stephenson hard-core fans.

--- Reviewed by Patrick Shepherd (hyperpat)