Escape Velocity: Cyberculture At the End Of the Century
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Product Description
Taking readers on an unforgettable journey into the dark heart of the Information Age, cultural critic Mark Dery introduces them to a wide array of characters on the fringe of computer culture--underground robotocists, cybersex enthusiasts, virtual-reality designers and would-be cyborgs.
Product Details
- Amazon Sales Rank: #802503 in Books
- Published on: 1997-08-01
- Original language: English
- Dimensions: 1.05" h x 5.98" w x 9.05" l, 1.12 pounds
- Binding: Paperback
- 400 pages
Editorial Reviews
From Amazon.com
A high-speed tour through the high-tech underground and its denizens. Dery introduces us to those who embrace computer technology, figuratively and literally -- cyberpunks, cyberhippies, cybersexers, and would-be cyborgs who believe the body is mere meat, and await the day when man-machine union is much more than mere science fiction. Dery draws heavily on academic theorists such as Bataille, Foucault, Baudrillard and McLuhan, yet his writing style makes for a highly accessible book.
From Publishers Weekly
Freelance cultural critic Dery takes readers on a strange, unsettling, often provocative tour through fringe computer subcultures. We meet cyber-hippies and "technopagans" who use the personal computer in New Age mystical rituals via echomail, a technology that links discussion groups into a communal conference. California roboticist Mark Pauline stages spectacles in which robots and humans are menaced by heavy machinery or remote-controlled weaponry, while Chico MacMurtrie's puppet-like robot musicians, acrobats and warriors enact ecotopian dramas. Australian cybernetic body artist Stelarc, plastered with electrodes and trailing wires, embodies the human/machine hybrid all of us are metaphorically becoming. Dery also profiles online swingers hooked on virtual sex, cyberpunk rockers, cyberpunk novelist William Gibson and D.A. Therrien's performance ensemble Comfort/ Control, which dramatizes popular anxieties over the autonomy of intelligent machines and the nightmare of humanity's obsolescence. Dery closes this adventurous inquiry with an appraisal of the "posthumanist" visions of novelist William Burroughs, techno-mystical SF author Vernor Vinge and Carnegie-Mellon roboticist Hans Moravec. Illustrated.
Copyright 1996 Reed Business Information, Inc.
From Booklist
"Escape velocity" refers to the speed a body must achieve to escape the gravitational pull of Earth. Dery contends that cyberculture--an underground world of high-tech performance artists and philosophers, cyberpunk authors and musicians, and technosex aficionados--is reaching its own escape velocity and will eventually free itself of the gravitational pull of history, tradition, and perhaps even evolution. Drawing his raw material from a wide variety of sources, Dery has produced an exhaustive and exhilarating book. Cyberculture, he demonstrates, threatens to forge a whole new meaning not only for technology but for what it means to be human: he discusses the kinds of music, art, and literature created through computer programs, and he relates experiments in life extension as well as plans to store human consciousness on CD-ROM. Some of this material is not for the squeamish, especially the treatment of "cybernetic body art," which includes putatively artistic self-mutilation, body piercing, and tattooing. Still, for librarians struggling to understand how the Internet will affect their reference departments, this book will be a mind-expanding voyage. For the initiated, it will be a handy travel guide. George Needham
