Product Details
Cereus Blooms at Night

Cereus Blooms at Night
By Shani Mootoo

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Product Description

Bold and lyrical, sensual and highly charged, Cereus Blooms at Night is the beautifully written, much-talked-about first novel by Shani Mootoo, one of Canada’s most exciting new literary voices.

At the core of this haunting multi-generational novel are the shifting faces of Mala – adventurer and protector, recluse, and madwoman. Related by the engaging voice of Tyler, Mala’s vivacious male caretaker at the Paradise Alms House, Cereus Blooms at Night is layered with unforgettable scenes of a world where love and treachery collide.


Product Details

  • Amazon Sales Rank: #147507 in Books
  • Published on: 1998-03-28
  • Released on: 1998-03-28
  • Original language: English
  • Binding: Paperback
  • 280 pages

Editorial Reviews

From Amazon.com
There is much to admire about Shani Mootoo's first novel, Cereus Blooms at Night. In telling the tale of Mala Ramchandin, her sister, Asha, her childhood sweetheart Ambrose "Boyie" Mohanty, and the other inhabitants of the fictional Caribbean island of Lantanacamara, Mootoo has created a cast of remarkable characters capable of charming the reader. Narrated in part by Tyler, a young male nurse at a home for the elderly, Cereus begins with Mala's admission to the alms house in Paradise--the main city on Lantanacamara--under a cloud of mystery. The old lady won't speak and is suspected of a multitude of crimes, causing the head nurse of the home to keep her in restraints. Only Tyler is willing to care for her; it isn't long before Tyler, an outcast in Paradise because of his sexual orientation, and Mala, a pariah for other reasons, develop an unusual friendship.

For the first half of the book, Mootoo moves easily between Tyler's narrative and a third-person account of Mala's life as a child. The chapters covering the adoption of Mala's father, Chandin Ramchandin, by a white missionary and his wife and Chandin's obsession with his foster sister, Lavinia, offer a telling perspective on race and colonialism; later chapters detailing Chandin's descent into alcoholism, madness, and child abuse are occasionally overwrought, but the strong, child's-eye point of view of young Mala keeps the novel grounded. The second half of Cereus abandons both Tyler and the omniscient narrator, choosing to focus, instead, on Otoh Mohanty, the son of Mala's childhood friend, Boyie. Here Mootoo also introduces, for the first time, elements of the fantastic: a girl who "wills" herself to become a boy; a man who sleeps for weeks at a time, only waking one day each month; a mysterious, locked room that holds a horrifying secret. The result is pure melodrama wrapped up in lovely prose.

Even though the last half of the book seems too suddenly freighted towards the magical and improbable, and the happy ending is a trifle too contrived, Cereus Blooms at Night showcases Shani Mootoo's impressive mastery of language. And in Mala Ramchandin, she has created a tough and tender heroine who commands the reader's interest and sympathy from first page to last. --Alix Wilber

Books in Canada
The nucleus of Shani Mootoo's hypnotic Cereus Blooms at Night is a crime, one committed many years before the novel opens. Mala Ramchandin lives in Paradise on a fictional Caribbean Island. Now an old woman considered mentally unstable by the nursing home staff, she has fortunately fallen under the care of Tyler, a gay nurse with an empathetic heart and an interest in helping her find her long-lost younger sister.

The narrative alternates between first person (Tyler interjecting his observations about both Mala and himself) and third person (the story of Mala's life). Mootoo handles well not only these person shifts but also the time shifts-no small feat given the complexity she is dealing with.

Mala, nicknamed Pohpoh as a child, starts out life with her sister Asha, their father Chandin, and their mother Sarah. Chandin has all his life been in love with the unattainable, aristocratic Lavinia Thoroughly. When he discovers that Lavinia is involved with Sarah, the two women run off together, trying to take Asha and Mala with them. When Chandin thwarts the girls' escape, they are left behind to defend themselves against an increasingly cruel and alcohol-driven father. He sexually abuses both of them, and in order to protect Asha (who eventually escapes the house altogether), Mala takes over the "duty" of servicing him. Eventually, she develops a split personality: Mala becomes the protector of Pohpoh.

In time, Mala has a suitor: her childhood friend Ambrose. When Chandin realizes that his daughter is seeing someone, he careens completely out of control. The result is a gut-wrenching scene of paternal rape and rage, after which Mala takes her father's well-deserved fate into her own hands.

Eventually, the whole town comes to think of Mala as mad, eccentric, a mysterious recluse, a dangerous crone. Her life seems to have stopped on the day her father learned about her and Ambrose. Ambrose, meanwhile, marries someone else but continues to drop off monthly provisions at Mala's house, though he never sees her.

Reading Cereus Blooms at Night is like reading a dream, entering a strange but believable world in which unusual possibilities flower like the cereus itself: evocative, pervasive, sensuous. Such "magic realism", when handled as adroitly as Mootoo handles it, is deeply compelling, a lush flowering of the imagination: one willingly suspends disbelief.

The Trinidad-born Mootoo, a multimedia artist and video maker as well as a writer, has created a movie with words-a film with undeniable beauty despite its framework of sadness, disappointment, and violence. Eva Tihanyi(Books in Canada)

From Publishers Weekly
The fecund and fertile cycles of Caribbean life pervade this powerful first novel from Mootoo (Out on Main Street), who invokes all the senses, especially sight and smell, to portray the town of Paradise on the fictional island of Lantanacamara. When Mala Ramchandin, the town madwoman and a rumored murderess, checks into the Paradise Alms Hotel, the only nurse compassionate enough to properly care for her is Tyler, the young narrator of the tale. As a gay man who has always been considered an oddity on the island, he forms an outsider's friendship with Mala. While Tyler slowly gains Mala's trust, readers more clearly see the mosaic that makes up Mala's sad, enigmatic life and come to understand her strange "uncivilized" habits as a form of self-preservation against cruelties endured, including her mother's abandonment, the incestuous relations forced on her by her father and, most haunting of all, the loss (via emigration) of her beloved younger sister. Tyler himself becomes more complex as he reflects on his sexuality. His self-discovery and the secrets of Mala's past might in other hands have become the stuff of melodrama, but Mootoo puts this material to much finer use in a narrative reminiscent of Maryse Conde's work. The seamless plot structure builds to a macabre, satisfying climax and to equally satisfying portraits of two memorable, complex characters against a fascinating, sensuously rendered background. (Sept.) FYI: Cereus Blooms at Night was a finalist for the 1997 Giller Prize, the Chapters/Books in Canada First Novel Award and the Ethel Wilson Fiction Prize. One of Mootoo's paintings appears on the cover; she has exhibited her work internationally. She is also a filmmaker.
Copyright 1998 Reed Business Information, Inc.