Product Details

• Amazon Sales Rank: #16441 in DVD
• Released on: 2002-12-03
• Rating: R (Restricted)
• Aspect ratio: 1.85:1
• Format: NTSC
• Original language: English, French
• Subtitled in: English, Spanish, French
• Dubbed in: Spanish
• Dimensions: .25 pounds
• Running time: 125 minutes

From Amazon.com
Oliver Stone used such words as "liberating" and "fun" to talk about U Turn's relatively quick production schedule of 42 days. Stone's ideas of film fun, however, are something older generations would call sick. This film is a Southwestern noir tale about Bobby Cooper (Sean Penn), a hotshot who is stuck in the tight confines of Superior, Arizona, when his car breaks down. His subsequent adventure is a meatball comedy--loud, obnoxious, and violent, and stuffed with diffused light, a hot cast, and a no-fat Ennio Morricone score. This film has plenty of odd characters, but you never really find out much about them. Bobby's first encounters include a repulsive mechanic (Billy Bob Thornton under the grease) and a blind Indian (Jon Voight under the makeup). Then there's Grace McKenna (a sizzling Jennifer Lopez), who is as dangerous as the curves of her red sundress. Bobby's got time to kill, and Grace seems more than willing. Unfortunately, it seems that Bobby has never seen a movie such as A Touch of Evil; if he had, he would know it can only get worse. About the time Grace's husband, Jake (Nick Nolte), shows up, Bobby is knee-deep in murder plots and double-crosses.

The first 40 minutes or so are "fun" to a point. Penn is the perfect near-creep to root for, and as he wanders back into town after meeting Grace, the eclectic characters pile up. But soon it gets monotonous, tiring, and just plain ugly. And when incest and bloody fights begin, the fun is gone. If Penn weren't so solid an actor and able to be empathetic in the most morose situations, the movie would be unwatchable at stretches. Lopez makes another good impression, but this is not a performance that stands out. Nolte, raspy and ill-looking, is the Lee Marvin of the '90s. Before U Turn is over, you are already wondering if Oliver Stone will do something else, something more important, soon. --Doug Thomas

Chronique amazon.fr
On savait Oliver Stone traumatisé, en vrac, par le Vietnam (Platoon), les "golden boys" (Wall Street) et les "serial killers" (Tueurs nés). U-Turn montre qu'il a aussi un contentieux avec les petits patelins américains où la vermine se cache dans chaque habitant. Car U-Turn est bien une fable moderne, "stonienne" dans sa morale : l'innocence, si elle existe, est toujours corrompue. Il le confirme ici, avec Sean Penn dans le rôle du dindon de la farce et Jennifer Lopez dans celui de la corruptrice. Mais lequel des deux manipule vraiment l'autre ? Oliver Stone a toujours considéré que la réalisation était une extension du scénario, et il maintient ici un rythme enlevé jusqu'au crescendo final. Lequel rend plutôt pessimiste quant au devenir de l'humanité. --Marc Anthony

On the DVD
Languages: English two-channel and 5.1 [Dolby Digital], Spanish, French
Subtitles: English, Spanish, French
Theatrical trailer
Scene selections
Widescreen and full-screen formats

Customer Reviews

Twisted
Sean Penn plays a small time crook, trying to make it to heaven with somebody else's cash in his backpack. Heaven I guess would be someplace where you can live in saftey and spend that money you stole. But he is on the road to hell and there's no u turn. He's had to fingers plugged off by hedge clippers and the rest of the hand waiting for its turn if he gets caught by some Vegas thugs. His car breaks down somewhere in Hell and things go from bad to worse. The film is somewhat plot driven. The characters have to go with the plot which is sad, because these are marvolous characters and actors. Stone's film tech is great and he makes a graphic visual display, but the plot is somewhat small and weak. Lopez plays the vixen who is beyond twisted after surviving what seems to be a horrific life. Borderline behavior to the max, no trust is branded on her forehead. Penn just keeps bouncing up after being delivered through worse and worse scenarios of bad luck, as I said plot driven characters. Oh well, the acting and the direction push this up to a 4 star, overall its worth viewing because it is so wigged out.

Lisa Nary

Guilty, gritty pleasure
Sunday, April 18, 2004 / 4 of 5 / Guilty, gritty pleasure. Admittedly, U-Turn is a guilty, gritty pleasure. It's one of those movies that has a compelling but amoral anti-hero protagonist, much like another in this genre, 'Romeo is Bleeding'. Like that film, we witness the disintegration, physical and mental of the main character whose vices have finally caught up with him with a vengeance. Oliver Stone's splice and hack techniques work wonderfully and the amazingly strong cast seems to be having a ball with the seedy story. Sean Penn is Bobby on his way to pay off gambling debts after having his two fingers cut off by Russian gangsters. His 64 Mustang blows a radiator hose in the podunk town of Superior, AZ. While there he gets rolled, loses his cash, endures further physical abuse and is tempted to kill numerous people, from J-Lo, to Billy Bob Thornton, to Nick Nolte, to Joaquin Phoenix. The interactions are comical in their depravity, this film really straddles genres, flowing from noir to black comedy and back. No one trusts anyone and incredibly you feel sorry for Bobby as the film reaches its crescendo. The more I think of it, the more it conceptually mirrors Romeo is Bleeding with Penn and Oldman's weak, amoral central characters at the mercy of the strong females in J-Lo and Lena Olin. I think it's good for a viewing ever so often, more would be too exhausting and make one feel a bit too dirty. Recommended.

"Your lies are old, but you tell them well."
Oliver Stone crawls through Quentin Tarentino's home turf here in this adaptation of John Ridley's Stray Dogs--it's as black and violent as a film can be, sort of Pulp Fiction meets Reservoir Dogs in the heat. Brilliant casting makes U Turn sizzle like roadkill on an Arizona blacktop. Sean Penn, Jennifer Lopez. Billy Bob Thornton, and Nick Nolte dig right to the heart of human darkness, and an absolutely unrecognizable Jon Voight appears as the blind Indian wise man who is likely none of those things. Surely many viewers will find the level of violence and the completely depraved characters unappealing at best--my wife walked away less than halfway through. But I was riveted by the story, the characters, the action, and the stylistic approach Stone takes, with heavy use of filters and quick cuts to ravens, bleached skulls, setting suns, old photographs, and the like. That approach and the eerie score by Ennio Morricone also reminded me of David Lynch's Twin Peaks. It's surely not a movie for the mainstream, but I'm glad I saw it.