Product Description

This is the semi-autobiographical account of a soldier's experiences. The hero of the story, Kien, is a captain. After 10 years of war and months as a MIA body-collector, Kien suffers a nervous breakdown in Hanoi as he tries to re-establish a relationship with his former sweetheart.

Product Details

• Amazon Sales Rank: #106295 in Books
• Published on: 1997-08-27
• Released on: 1997-08-27
• Original language: English
• Dimensions: 7.83" h x .59" w x 4.96" l, .35 pounds
• Binding: Paperback
• 272 pages

From Publishers Weekly
Kien, the protagonist of this rambling and sometimes nearly incoherent but emotionally gripping account of the Vietnam war, is a 10-year veteran whose experiences bear a striking similarity to those of the author, a Hanoi writer who fought with the Glorious 27th Youth Brigade. The novel opens just after the war, with Kien working in a unit that recovers soldiers' corpses. Revisiting the sites of battles raises emotional ghosts for him, "a parade of horrific memories" that threatens his sanity, and he finds that writing about those years is the only way to purge them. Juxtaposing battle scenes with dreams and childhood remembrances as well as events in Kien's postwar life, the book builds to a climax of brutality. A trip to the front with Kien's childhood sweetheart ends with her noble act of sacrifice, and it becomes clear to the reader that, in Vietnam, purity and innocence exist only to be besmirched. Covering some of the same physical and thematic terrain as Novel Without a Name (see above), The Sorrow of War is often as chaotic in construction as the events it describes. In fact, it is untidy and uncontrolled, like the battlefield it conveys. The point of view slips willy-nilly from the third person to the first, without any clear semblance of organization. The inclusion of a deaf mute who falls for Kien, and acts for a while as a witness to his life, seems gratuitous. The faults of this book are also its strengths, however. Its raggedness aptly evokes the narrator's feverish view of a dangerous and unpredictable world. And its language possesses a ferocity of expression that strikes the reader with all the subtlety of a gut-punch. Polishing this rough jewel would, strangely, make it less precious.
Copyright 1994 Reed Business Information, Inc.

From Library Journal
These two novelists, both of whom fought for North Vietnam, offer American readers a startlingly different perspective on the war.
Copyright 1995 Reed Business Information, Inc.

From Booklist
A novel addition to fiction from the Indochina conflict, this quasi-autobiographical story depicts a North Vietnamese infantryman trying to purge his grisly memories through writing. Sitting in his dingy Hanoi room, drinking day after day away, the central character, Kien, records in no set order his enlistment into the army, the bombing of his troop train, hellish firefights and napalming in the Central Highlands (an area superstitiously dubbed by Kien's comrades the "Jungle of the Screaming Souls"), his escape from an American patrol after the Tet offensive of '68, combat in Saigon's fall in '75, and his memory-piquing work on a postwar MIA detail. Each chunk of experience jostles the other, an intentional echo of the writer's struggle to describe the chaotic, while simultaneously attempting to find his own authorial voice. Thus Bao Ninh's work is half about war. If there is a message, it is that a survivor's reconciliation with savage memory is impossible--perhaps not the most original idea in war novels, but one worth hearing from the ex-enemy. Gilbert Taylor