Product Description

From the acclaimed author of Video Nights in Kathmandu comes this intriguing new book that deciphers the cultural ramifications of globalization and the rising tide of worldwide displacement.

Beginning in Los Angeles International Airport, where town life?shops, services, sociability?is available without a town, Pico Iyer takes us on a tour of the transnational village our world has become. From Hong Kong, where people actually live in self-contained hotels, to Atlanta's Olympic Village, which seems to inadvertently commemorate a sort of corporate universalism, to Japan, where in the midst of alien surfaces his apartment building is called "The Memphis," Iyer ponders what the word "home" can possibly mean in a world whose face is blurred by its cultural fusion and its alarmingly rapid rate of change.

Product Details

• Amazon Sales Rank: #117439 in Books
• Published on: 2001-03-13
• Released on: 2001-03-13
• Original language: English
• Binding: Paperback
• 320 pages

From Amazon.com
Pico Iyer's book of essays about international locales contends that the modern world-scurrying citizen, pushed by business demands or political migrations, can easily lose both roots and sense of home. Airports have morphed into cities where scores of languages are spoken, thousands work, and millions travel through mazed villages of McDonalds, massage parlors, and self-help groups that twist along for miles; the Dallas-Fort Worth airport alone grabs more space than Manhattan. And city life is no different: Iyer's apartment building also houses an immigration office, banks, four cinemas, dozens of restaurants and nearly 100 boutiques; the technologically plugged-in businessman with whom he stays has five phones across the world, a dozen international bank accounts, and travels more than a pilot.

Whether in Toronto--where in larger schools nearly 80 languages may be heard--London, or at the Olympics in Atlanta, Iyer witnesses the overlapping of hundreds of heterogeneous cultures, often pushed by corporate concerns toward commercial homogeneity and powered by technology that offers an office in the sky. The picture painted by Iyer--himself a confused and well-traveled multicultural citizen--is extreme, sci-fi, and futuristic even though set in the present: a global village turned spinning metropolis, with so many fragments set loose in its gyrations that it threatens to explode the minds of its residents. But even this shell-shocked world traveler finds peace, concluding that a simpler life may be a richer one and that home is simply where the frazzled mind decides it will be. In an era when new frontiers open monthly, when frequent flyer miles serve as currency, and constant change may be a lifestyle demand, Iyer's frantic words and dizzying images may prove as prophetic as Alvin Toffler's Future Shock. --Melissa Rossi

From Publishers Weekly
A swirl of locations, time zones and cultures marks Iyer's (Video Night in Katmandu) breathless look at today's world, where borders are passed through as quickly as an airport gift shop. To the author, the concept of the global soul is flexible. It could mean someone who, like the international consultant who carries five different plane tickets at all times, calls the road home, or it could represent the citizen who combines a multicultural past with an equally colorful present. "For a Global Soul like me--for anyone born in several cultures--the challenge in the modern world is to find a city that speaks to as many of our homes as possible," Iyer writes. (An ethnic Indian, Iyer grew up in England and the U.S.; today he splits his time between California and Japan.) He blends an exploration of people like himself with the places they inhabit--the netherworld that is an airport, cities separated from their pasts like Hong Kong, the ethnic m?lange of Toronto and the improbable urbanity of Olympic-host Atlanta. Many of these locales are at once Everyplace and No Place, and Iyer deftly captures the rootlessness of those who dwell there. As he does in his magazine pieces, Iyer brings a fine spiritual current to his writing, and his descriptive talents are unsurpassed, even if he lets his mouth hang open a little too wide marveling at the postmodernism of it all.
Copyright 2000 Reed Business Information, Inc.

From Library Journal
Iyer, who appropriately describes himself as "a global village on two legs," takes readers on a fascinating series of journeys aimed at discovering whether one's concept of "home" is still valid in an increasingly global, borderless world. In his previous work (e.g., Video Night in Kathmandu), Iyer explored similar themes; here, traveling to Los Angeles Airport, Hong Kong, Toronto, Atlanta, England, and Japan, he addresses everything from how Libya's Gaddafi defines the concept of the "global village" to the meaning of "Canadian exceptionalism." To be sure, this is not ordinary travel reportage: Iyer delves pointedly into cultural and social criticism and political and philosophical analyses with a refreshing sense of curiosity and very little cultural stereotyping. Throughout, he relies not only on his extensive travel experiences but also on his background. Born to Indian parents in England, he was raised in California and now spends much of his time in Japan. Naturally, all that variety may account for his heightened appreciation of the nuances in human cultural interaction. Highly recommended for all collections.
-Ali Houissa, Cornell Univ., Ithaca, NY
Copyright 2000 Reed Business Information, Inc.

Customer Reviews

A little too much?
Iyer is an entertaining writer. That's why I read him. This book, although not excellent, is good (I like "The Lady and the Monk" better though). I really enjoyed the last chapter of the book about his experiences as a foreigner in Japan. I could relate because I too, lived as a foreigner in Japan. But the remainder of the book came across to me as a little bit too much. In other words - exaggerated and overdone. But this is not a worthless book. It's merit comes in remembering that these are the author's ideas and experiences - not everyone else's.

Smart, humane , edgy and I couldn't stop reading
I love this book. I'm sending it to all my relatives who, like the author, are modern post-ethnics with no true sense of ethnic allegiance. His insights are quite droll: a person with no deep national loyalty may be staunchly loyal to one airline. And some huge portion of all airmiles are earned on the ground! He captures the absurd, the sad, the hopeful aspects of being a bourgeois post-ethnic in today's climate. I take my hat off to this man for writing a book that can be said to speak for an entire generation. That may sound audacious but those are the feelings he inspires in one reader! The book is not only about travel. You can be a reluctant traveller (like me) and still enjoy his narrative.

The great thing about this book -- it can be read out of order. I read the Toronto chapter first. I read the Empire chapter next. I read the first chapter last. It works. This is a book I will re-read. It has some errors, which other reviews here have rightly pointed out, but in total it's a...good read and its insights are substantial.

Struck by Disconnect - Customer v. Editorial Reviews
I had already begun reading this book (have read only a/b the first 50 pages), when I logged on to Amazon, with a view to e-mailing a friend a link to the book. Started browsing through the editorial and customer reviews -- all the editorial reviews v. positive, but majority of the customer reviews quite negative.

My bias is gen. towards the customers (and esp. in this case, since they seem to be more actual travellers, vs. editors who merely review travel writing). Yet, and I find this odd, I actually like what I've read so far (caveat: haven't read it all), though I would agree, to a degree, with some of the negative comments.

Perhaps it's because I can relate. Work in finance. Born & raised in Bombay, studied in the US, lived in China learning Mandarin, now in Toronto and a soon-to-be Canadian citizen. No family, no strong ties to anywhere. Perhaps some those readers who dislike the book can't relate.

Some of the comments I agree with. There is repetition. Tone can sometimes be "whiny", as a few readers note. Iyer should pick up some language skills - I can feel at ease in Bombay or Beijing in large part because I have speak both Hindi and Mandarin.

Other criticisms I don't agree with. E.g., some have commented that Iyer's "global soul" relates to a v. small number of people. Well, that's the going-in position. The book is made of observations about being raised, living and working in multiple cultures/geographies. By definition, it's not going to be relevant for most of the 6 bn + people on the planet. They're not the target audience.