Product Description

In this moving and unexpected book, Joan Didion reassesses parts of her life, her work, her history, and ours. Where I Was From, in Didion’s words, “represents an exploration into my own confusions about the place and the way in which I grew up, confusions as much about America as about California, misapprehensions and misunderstandings so much a part of who I became that I can still to this day confront them only obliquely.” The book is a haunting narrative of how her own family moved west with the frontier from the birth of her great-great-great-great-great-grandmother in Virginia in 1766 to the death of her mother on the edge of the Pacific in 2001; of how the wagon-train stories of hardship and abandonment and endurance created a culture in which survival would seem the sole virtue.

In Where I Was From, Didion turns what John Leonard has called “her sonar ear, her radar eye” onto her own work, as well as that of such California writers as Frank Norris and Jack London and Henry George, to examine how the folly and recklessness in the very grain of the California settlement led to the California we know today–a state mortgaged first to the railroad, then to the aerospace industry, and overwhelmingly to the federal government, a dependent colony of those political and corporate owners who fly in for the annual encampment of the
Bohemian Club. Here is the one writer we always want to read on California showing us the startling contradictions in its–and in America’s–core values.

Joan Didion’s unerring sense of America and its spirit, her acute interpretation of its institutions and literature, and her incisive questioning of the stories it tells itself make this fiercely intelligent book a provocative and important tour de force from one of our greatest writers.

Product Details

• Amazon Sales Rank: #1061191 in Books
• Published on: 2003-09-23
• Released on: 2003-09-23
• Original language: English
• Binding: Hardcover
• 240 pages

From Publishers Weekly
California comes under Didion's captivating, merciless microscope in her controversial look at the greed, acquisitiveness and wasteful extravagance lurking beneath the state's eternal sunshine. In admirably lean, piercing prose, she describes her ancestors, women who could shoot, handle stock and shake snakes from their boots every morning. These pioneers had lived through an arduous crossing far removed from the noble odysseys chronicled by California mythmakers and arrived in wrecked wagons, facing desolation and death. Didion dramatically highlights the gap between California's rosy notion of itself as a land that stood for individual entrepreneurship, and the reality of growing government control and reliance on federal money. As a Sacramento native now living in New York, she conveys the tension of loving an area that's also disappointed her. She utilizes the 1993 Spur Posse scandal, in which teenage boys in Southern California slept with as many girls as possible and then regarded them as notches on their gun, to portray the spiritual vacancy of young Californian men, particularly in light of an overindulgent public attitude that downplayed their moral callousness. Didion cites cozy, pastel paintings by artists like Thomas Kinkade as contributing to the hazily romantic view of a state that treated foreigners early in its history with vicious bigotry, underrated education's importance and committed disturbed citizens to institutions on unacceptably flimsy evidence of their mental state. Throughout, Didion digs deep to find the "point" of California. Many will find her conclusions inflammatory and may rise to California's defense, but the book is a remarkable document precisely because of its power to trigger a national debate that can heighten awareness and improve conditions on the West Coast and throughout the country.
Copyright 2003 Reed Business Information, Inc.

From Booklist
Didion's remarkable family history parallels that of the U.S. in its journey west, belief in starting over, and enduring stoicism. Her great-great-great-great-great-grandmother, Elizabeth Scott, was born in 1766 and left what became Virginia for Tennessee, Kentucky, and the Missouri Territory. Elizabeth's granddaughter traveled deep into the western frontier with the infamous Donner-Reed party, and others made it to the promised land of California, where Didion was born and raised. Her homeland has always influenced her work, but now in the wake of her parents' deaths, she sees her native land with startlingly fresh and revelatory clarity. As always, Didion is scrupulous in her research, discerning in her observations, and eloquent as she scours the outer world for keys to inner conflicts, and, consequently, her insights into California's psyche are perspicacious and arresting. A land seemingly dedicated to personal freedom, it is in fact a state saddled with an inordinate number of prisons, a debilitating dependence on the federal government, and an extraordinarily high incidence of mental instability. As Didion uncovers sharp memories and incisively interprets California's messy politics and dire economics, she not only creates an electrifying inquiry into the spirit of a unique place and the soul of an uncommon family but also illuminates with piercing candor the dark side of the pioneer mythos, the very heart of the American mystique. Donna Seaman
Copyright © American Library Association. All rights reserved

From the Back Cover
“Compelling. . . . A love song to the place where her family has lived for generations, but a love song full of questions and doubts.” –Michiko Kakutani, The New York Times

“An arresting amalgam of memoir and historical timeline. . . . Exquisitely crafted, as subtle as the slow waking from a pleasant dream.” –The Baltimore Sun

“One beautiful sentence follows another. . . . This is a book about history, about what we learn from genealogy and history books, novels and old newspapers, and how we square all that with what we see around us. . . . Didion has remained a clearheaded and original writer all her long life.” –Malcolm Jones, Newsweek

“Succinct and quite beautiful. . . . Its rewards are many. If anyone needs further confirmation that she is one of the finest essayists currently at work, this book will nail it.” –The Seattle Times/Post Intelligencer

“One of the most recognizable–and brilliant–literary styles to emerge in America during the past four decades. . . . [Didion is] a great American writer.” –The New York Times Book Review

“Didion has written a brave little book . . . a fine book that must be read with as much care it was written. . . . [Didion is] an implacably honest writer.” –Jonathan Yardley, Washington Post

“Valediction and elegy alike, Where I Was From is a storm-tossed book. Its history is dense . . . its prose sharp, direct and chiseled.” –The Los Angeles Times Book Review

“Eloquent, spare, and rendered without sentiment.” –Boston Globe

“[Didion is] a latter-day Walt Whitman, singing of America by singing of herself.” –Slate.com

“Joan Didion is a brilliant explicator of the American political and cultural consciousness.” –Rocky Mountain News

“Many of us have tried, and failed, to master [Didion’s] gift for the single ordinary deflating word, the word that spins an otherwise flat sentence through five degrees of irony. But her sentences could only be hers.” –Michael Gorra, Chicago Tribune

“[A] fascinating, informative, obscure–and yes, moving–little book.” –San Jose Mercury News

“A bracing mix of personal and public history.” –Benjamin Kunkel, Newsday

“Odd, elliptical and ultimately revealing. . . . Didion discovers the exact locus where geography and personal journey intersect, and has produced a work as compelling and enigmatic as its subjects.” –Time Out New York

“Where I Was From is a beautifully written and intensely personal tome. . . . One of the country’s most intelligent writers . . . Ms. Didion’s prose is like a razor cutting straight to the bone.” –New York Sun

“[Didion's] appraisal is cool, her eye is sharp, and her turn of phrase is wicked.” –Time

“How odd that bad news can be so much fun to read. Her essays are as sinewy as her novels, written in the same ice-pick/laser-beam prose.” –Harper’s

Customer Reviews

Wonderful book for a Summer read
As a California historian and author of "Southern California Miscellany" I am particular about books written from an insider's point of view. This book fills the gaps often left by writers who do not know of which they speak. The author is definitley an insider who has all the best details down in print along with an entertaining story. This is a wonderful book to read while on vacation.

Not the whole picture
Didion writes in her characteristic style -- the clear, hesitant sentences that are reminiscent of James Baldwin. And, as usual, she tells a story behind a story, here about how the golden promise of California was often based on illusion, on schemes that enriches outsiders at the expense of the suckers who came to the state looking for a better life. Mixed in with all this is the story of her own family (the sophisticated New Yorker started life as a Sacramento girl).

So why only three stars? For me, as is often the case with this writer, I felt that she was straining to make a negative point, putting the worst spin on everything. Any time you devote a good chunk of a short book to the story of kids who turn to gang violence and drugs you're going to make a place look bad. Her limited focus on prison construction and other ideas that fail to bring in the promised wealth to locals overlooks the industries that have helped make the state rich, such homegrown enterprises as the wine growing of Napa, the silicon and software farms of Silicon Valley and, oddly enough, Hollywood (odd, because Didion has written so many screenplays herself).

All of these industries -- along with the state's once-vaunted school system, the University of California, the highways, etc. -- may be shadows of their former selves. But Didion refuses to find reasons for hope even in the natural beauty of the place, which is surely without rival in this country. The book is instructive about some of the underlying reasons for California's tough times and surely helps to deglamorize the place, but it ain't the whole story.

Where I Was From
The latest from Didion is a complex and challenging memoir, difficult to enter into but just as difficult to put down. It manifests Didion's continued interest in social disorder and unrest, the "telling detail," and how the personal and the social intertwine. On one level, this is a very personal story of Didion's family's history that starts with the birth of her great-times-five grandmother on the Virginia frontier in 1766. On another, it is a critique of American ideals of independence and the story of how the settling of California-and the character of the original settlers-led inexorably to the California of today. Didion is an acclaimed novelist, screenwriter, and journalist who has written numerous articles, essays, and reviews. Those who have long admired the clarity and precision of her prose will not be disappointed with this partly autobiographical, partly historical, but fully engrossing account. Suitable for academic libraries and most public libraries, this is of particular interest to genealogists and American history collectors and is essential for libraries in California.