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Six Memos for the Next Millennium

Six Memos for the Next Millennium
By Italo Calvino

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Product Description

Italo Calvino, one of the world's best storytellers, died on the eve of his departure for Harvard, where he was to deliver the Charles Eliot Norton Lectures in 1985-86. Reticent by nature, he was always reluctant to talk about himself, but he welcomed the opportunity to talk about the making of literature. In the process of devising his lectures--his wife recalls that they were an "obsession" for the last year of his life--he could not avoid mention of his own work, his methods, intentions, and hopes. This book, then, is Calvino's legacy to us: those universal values he pinpoints for future generations to cherish become the watchword for our appreciation of Calvino himself.

What about writing should be cherished? Calvino, in a wonderfully simple scheme, devotes one lecture (a memo for his reader) to each of five indispensable literary values. First there is "lightness" (leggerezza), and Calvino cites Lucretius, Ovid, Boccaccio, Cavalcanti, Leopardi, and Kundera--among others, as always--to show what he means: the gravity of existence has to be borne lightly if it is to be borne at all. There must be "quickness," a deftness in combining action (Mercury) with contemplation (Saturn). Next is "exactitude," precision and clarity of language. The fourth lecture is on "visibility," the visual imagination as an instrument for knowing the world and oneself. Then there is a tour de force on "multiplicity," where Calvino brilliantly describes the eccentrics of literature (Elaubert, Gadda, Musil, Perec, himself) and their attempt to convey the painful but exhilarating infinitude of possibilities open to humankind.

The sixth and final lecture - worked out but unwritten - was to be called "Consistency." Perhaps surprised at first, we are left to ponder how Calvino would have made that statement, and, as always with him, the pondering leads to more. With this book Calvino gives us the most eloquent, least defensive "defense of literature" scripted in our century - a fitting gift for the next millennium.

Esther Calvino has supervised the preparation of this book. She is Italo Calvino's Argentinian-born wife and a translator for several international organizations. Among Calvino's best-known works of fiction are Invisible Cities, Cosmicomics, The Baron in the Trees, if on a winter's night a traveler, and Mr. Palomar.


Product Details

  • Amazon Sales Rank: #197919 in Books
  • Published on: 1988-01-01
  • Original language: English
  • Dimensions: .74" h x 5.77" w x 8.58" l, .71 pounds
  • Binding: Hardcover
  • 136 pages

Editorial Reviews

From Amazon.com
Italo Calvino cast his lofty thoughts toward the pending millennium long before the rest of us. Now that the zeitgeist has caught up with him, it seems a good time to revisit his Six Memos for the Next Millennium, an investigation into the literary values that he wished to bequeath to future generations. Calvino, the author of Invisible Cities, If on a Winter's Night a Traveler, and other postmodern fictional works, was to deliver these five "memos" (there was to be a sixth) as Harvard's Charles Eliot Norton Lectures in 1985-86, but he died before doing so. These lectures are dense, rigorous, and seemingly full of contradiction. The first is a paean to lightness (though "light like a bird," as Paul Valéry wrote, "and not like a feather"). Lightness is followed by quickness (without "presum[ing] to deny the pleasures of lingering"), exactitude, visibility, and multiplicity. The perfect antidote to writerly laziness.

From Publishers Weekly
At the time of his death in 1985, Calvino was preparing to give the Norton Lectures at Harvard; this volume collects the texts completed at the time of his death, which are delightful, penetrating examinations of the literary experience.
Copyright 1993 Reed Business Information, Inc.

From Library Journal
Calvino died just before he was to deliver these lectures. They focus on "things that only literature can give us," on "certain qualities, or peculiarities of literature that are very close to my heart": lightness, quickness, exactitude, visibility, multiplicity. (The final lecture, on consistency, has not been found.) Calvino ranges widely in classical and modern European literature to illustrate his themes, but his reflections are perhaps most revealing as commentaries on his own work, where the search for lightness is "a reaction to the weight of living," fantasy occupies a central place, and multiple possibilities are worked out in specific detail. Richard Kuczkowski, Dominican Coll., Blauvelt, N.Y.
Copyright 1988 Reed Business Information, Inc.