Product Description

Marcel Proust, now enjoying a major renaissance, has at last found a biographer who himself once produced the "finest French novel written in English" (The Nation). For Edmund White--author of an award-winning biography of Jean Genet and of the classic gay novel A Boy's Own Story, and known for his own haunting evocation of times past--this portrait is the exquisite expression of a lifetime spent contemplating Proust. Proust teaches us to truly savor the master's delicate perfection of style and his strange, charismatic personality--not just the recluse obsessively rewriting his one massive work through the night, but the yearning, lonely boy; the dazzling wit and darling of Parisian salons; the seeker of fame; and the unhappy closeted homosexual whom this book is the first to explore openly. From the frothiest gossip to the deepest angst, here is a gem to be treasured not only by literati and students, but by anyone looking for an introduction to an enduring genius.

Product Details

• Amazon Sales Rank: #702837 in Books
• Published on: 1999-01-25
• Released on: 1999-01-25
• Original language: English
• Binding: Hardcover
• 176 pages

From Amazon.com
Marcel Proust documented his existence so lavishly--albeit in fictional form--that many of his biographers have functioned as little more than code-breakers, doggedly translating art back into life. It's a great pleasure, then, to welcome Edmund White's slender, superbly artful account. A novelist himself (as well as a biographer of Jean Genet), White beautifully evokes "the France of heavy, tasteless furniture, of engraved portraits of Prince Eugene, of clocks kept under a glass bell on the mantelpiece, of overstuffed chairs covered with antimacassars and of brass beds warmed by hot-water bottles." And he's no less canny at summoning up Proust's personality, in all its neurotic, contradictory glory.

Of course, Proust's life can't truly be separated from his art. Every biography of him is bound to operate in the shadow of Remembrance of Things Past, and White has some shrewd things to say about that mammoth work, whose style he describes as "an ether in which all the characters revolve like well-regulated heavenly bodies." Yet the focus remains on Proust and on his unlikely transformation from momma's boy to social climber to world-class genius. Like his subject, White often proceeds by anecdote. His book is packed with telling, hilarious little nuggets, which find Proust being snubbed by that "powdered, perfumed, puffy Irish giant" Oscar Wilde or luring back his lover Alfred Agostinelli by buying him an airplane.

At the same time, White conveys the considerable pain that Proust endured as an invalid, an artist, and (more to the point) a closeted homosexual. No doubt these factors shaped his rather hopeless take on human affections, which impoverished his life even as they enriched his writing. "Proust may be telling us that love is a chimera," White writes, "a projection of rich fantasies onto an indifferent, certainly mysterious surface, but nevertheless these fantasies are undeniably beautiful, intimations of paradise--the artificial paradise of art." In White's view, this recognition makes his subject not only a supreme poet of impermanence but the greatest novelist of the century. Here, of course, it's possible to quibble. But the world would be an emptier place indeed without Proust's mighty masterpiece--and readers curious about its brilliant, bedridden creator should start with White's witty and exquisite portrait. --James Marcus

From Publishers Weekly
In this quietly brilliant contribution to the Penguin Lives series (see review of Crazy Horse, p. 58), White has resuscitated the art of biographical appreciation?a form favored by the first generation of writers who could be considered to exemplify a gay sensibility (Walter Pater, Henry James, Edmund Gosse)?and brought it out of the closet. He follows Proust's evolution from social-climbing dilettante to dedicated artist, placing him in the social milieus of high-society Paris and turn-of-the-century arts and letters. As in his acclaimed full-length biography of Jean Genet, White uses the life of his subject to examine the modern history of homosexuality, and he does so with the same combination of earthiness and worldliness that has marked his essays and autobiographical fiction since the 1970s. By now Proust is perhaps the least mysterious of writers, blessed with several good biographies and many excellent studies (helpfully noted in White's bibliography); but while White claims that his work owes "everything" to the most recent of Proust's biographers, Jean-Yves Tadie, no one can match White's sensibility or his sympathy for the subject. His criticisms of Proust's work are consistently trenchant and insightful, and he brings to Proust's life the earned, respectful familiarity of a distinguished acolyte. Alain de Botton's How Proust Can Change Your Life marked a revival of popular interest in Remembrance of Things Past; White's small marvel of economy and organization should supersede de Botton's book as a handy introduction to one of the century's greatest novelists.
Copyright 1998 Reed Business Information, Inc.

From Library Journal
White's portrait of Marcel Proust (1871-1922) heralds the debut (along with Larry McMurtry's Crazy Horse, LJ 11/15/98) of Penguin's new series of biographies edited by James Atlas. White, author of Genet: A Biography (LJ 1/94), attributes the recent fascination with Proust to the current popularity of the memoir. Proust, White says, is the master of all memoirists; one who, in Remembrance of Things Past, is able to capture the richness of the past through language, characterization, and the realization that "memories come flooding back to us in their full, sensuous force only when triggered involuntarily by tastes or smells or other sensations over which we have no control." Although he achieved fame in his lifetime and was considered a great wit in Parisian literary circles, Proust struggled continuously with his homosexuality and poor health. White's simple and elegantly written biography weaves literary criticism with respectful insight, and will appeal to general readers as well as scholars. Highly recommended.?Diane G. Premo, Rochester P.L., NY
Copyright 1999 Reed Business Information, Inc.

Customer Reviews

An Enjoyable and Readable Biography
Edmund White, one of my favorite contemporary American Authors, manages to capture the life of Marcel Proust in a manner that grabs the reader's attention. The book is a short appraisal of Proust's life, with a refreshing focus on Proust's barely in-the-closet homosexuality. The illuminating look at Proust's psyche and private relationships provide a different way of interpreting his masterpiece, Remembrance of Things Past. This easy-to-read biography comes highly recommended.

Excellent brief biography of Proust
Although there is no shortage of books on Proust in English, and no shortage of enormously long biographies, there is a surprising lack of short biographies. Luckily, this excellent little volume by Edmund White fills a major need. While we have major long biographies like those of Painter, Tadie, and Carter, these may not be appropriate for someone wanting a brief overview. The trick with any biography of Proust is striking a balance between writing about Proust's life and Proust's art, not an easy task given the degree with which Proust based his work on events in his own life. It is virtually impossible to disentangle the two.

This is a short book (around 150 pages), but in that brief span, White is able to touch on all the major events of Proust's life, the key relationships of his life, the major themes of his work as an author, and the ways in which Proust's life became the basis for his work. If one is unfamiliar with Proust before picking up this book, one will gain a first rate overview of him before setting it down. One thing that tremendously enhances the value of the book is an excellent annotated biography that gives a great overview of work on Proust both in English and French.

White, who is a well known gay author, does a superb job writing about the myriad of contradictions in Proust's own work as a lightly closeted gay author. Although Proust's being gay is the worst kept secret of the century, Proust fought many duels over accusations that he was homosexual (or, an invert, as Proust would have put it). Proust was the first writer to write extensively about homosexuality, both male and female, but maintained a façade of heterosexuality to those who did not know him well.

All in all, this is an excellent brief biography of the man many regard as the great novelist of the 20th century. I heartily recommend it to anyone wanting to know more about Proust.

SHORT BUT SWEET
This is another in the series of Penguin Lives which attempts to give a biography of a famous figure in a short but well written book. This one on Proust is written by the well-known author of such books as Forgetting Elena and other acclaimed works of his own. In a lot of the Penguin Lives, the editors tried to commission another writer who had a lot in common with their subject. White is also a homosexual writer whose works have been vastly acclaimed and this gives him a "supposed" insight into Proust that other biographers have purposefully ignored.

The entire life of Proust is hit on very efficently from his earliest years to his death. I liked the shortness of the book. I mean, I was interested in his life but not THAT interested to read a 500 page book about it. This short work was just right for the average interested reader. It was also written very well and enlightened me about many things about his life. For example, I always knew that he had become a recluse at the end of his life but never knew it was because of asthma.

Something negative about the book was that time and again White seems to believe that there was no seperation from Proust's real life and that of his characters. He uses quotes from his novel to comment on his private life which in all authors never quite works. A novel is really not a true relation of a person's life. What really is? Everything is illusion or perception. Another thing that White does is try to put forth the proposition that Proust's homosexuality defined the whole inner cosm of his soul. I mean is Paul Auster or Chuck Pahlaniuk's soul simply filled with being heterosexual.
White seems to belittle Proust's life and his work by trying to accent his sexual preference at the expense of offering new insights into his personal character or novel. I feel that White had a secret agenda, or rather an UNsecret agenda alongside this book. Still, it is entertaining and worth a look if you just want a short look at the life of one of the greatest novelists of all time.