Product Description

In The Last American Man, acclaimed journalist and fiction writer Elizabeth Gilbert offers a fresh cultural examination of contemporary American male identity and the uniquely American desire to return to the wilderness.

Gilbert explores what pushed men to settle the frontier West in the nineteenth century and delves into the history of American utopian communities. But her primary focus is on the fascinating true story of Eustace Conway, who left his comfortable suburban home at the age of seventeen to move into the Appalachian Mountains, where for the last twenty years he has lived off the land.

Conway's romantic character challenges all our assumptions about what it means to be a man today; he is a symbol of much that we feel our men should be, but rarely are. From his example, Gilbert delivers an intriguing exploration into the meaning of American manhood and-from the point of view of a woman-refracts masculine American identity in all its conflicting elements. Like Jon Krakauer's national bestseller Into the Wild, this book will find an enthusiastic audience among women, readers of American history, and those interested in nature and the wild.

Product Details

• Amazon Sales Rank: #427126 in Books
• Published on: 2002-05-03
• Released on: 2002-05-30
• Original language: English
• Binding: Hardcover
• 304 pages

From Publishers Weekly
"By the time Eustace Conway was seven years old he could throw a knife accurately enough to nail a chipmunk to a tree." Such behavior might qualify Eustace as a potential Columbine-style triggerman, but in Gilbert's startling and fascinating account of his life, he becomes a great American countercultural hero. At 17, Conway "headed into the mountains... and dressed in the skins of animals he had hunted and eaten." By his late 30s, Eustace owned "a thousand acres of pristine wilderness" and lived in a teepee in the woods full-time. He is, as Gilbert (Stern Men) implies with her literary and historical references, a cross between Davy Crockett and Henry David Thoreau. Gilbert, who is friends with Conway and interviewed his family, evidences enormous enthusiasm for her subject, whether discussing Conway's need for alcohol to calm down; his relationship with a physically and emotionally abusive father; or his horrific hand-to-antler fight with a deer buck he was trying to kill yet she always keeps her reporter's distance. At times, Conway's story can be wonderfully moving (as when he buries kindergartners in a shallow trench with their faces turned skyward to help them understand that the forest floor is "alive") or disconcerting (as when, in 1995, he's uncertain about Bill Clinton's identity). Gilbert has a jaunty, breathless style, and she paints a complicated portrait of American maleness that is as original as it is surprising.
Copyright 2002 Cahners Business Information, Inc.

From AudioFile
Eustace Conway, who took to the woods at age 17, makes firewith sticks, lives in a teepee, and wears clothes made of animalskins. Is he an American countercultural heor or a maladjustedself-promoter who moved to the Appalachian Mountains and acquiredmassive acreage to avoid confronting his shortcomings? ElizabethGilbert, a friend of Conway, explores these--and other--questions inTHE LAST AMERICAN MAN, a fascinating examination of Conway. PatriciaKalember's reading is thoroughly in sync with the author's feminineperspective on Conway. Kalember gives life to Conway, and the legionsof people drawn to him, most of whom are eventually repelled by hispersonality. She is particularly adept at conveying the tortuousrelationship between Eustace and his antagonistic, unloving father andhis inability to deal with women, whom he perceives as mates whoshould obey his every word. D.J.S. © AudioFile 2002, Portland,Maine-- Copyright © AudioFile, Portland, Maine

From Booklist
*Starred Review* Eustace Conway discovered nature's wonders as a boy growing up in South Carolina during the 1960s. Miserable at home, a born perfectionist and fanatic, he took to the woods and developed wilderness skills unknown to most modern Americans. By the time he finished high school and moved into a teepee (his abode for 17 years), he was convinced that only encounters with "the high art and godliness of nature" could help save American society from its catastrophically wasteful habits and soul-deadening trivial pursuits. Conway is not alone in his beliefs, but he is unique in his maniacal drive to proselytize, and, ironically enough, he's taken his teaching mission to such extremes by attempting to create an Appalachian wilderness utopia that it's impossible for him to live the very life he champions. Tough, shrewd, gifted, vigorous, and contradictory, Conway, who set a world record crossing the continent on horseback in 103 days, both enlightens and confounds all who know him. Gilbert, a top-notch journalist and fiction writer, braids keen and provocative observations about the American frontier, the myth of the mountain man, and the peculiar state of contemporary America with its "profound alienation" from nature into her spirited and canny portrait, ultimately concluding that Conway's magnetism is due in part to his embodying society's most urgent conundrums. Donna Seaman
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