Product Description

An acutely nuanced and original study of a state-sanctioned mass murderer. Not since Dead Man Walking have we seen so provocative a first-person encounter with the human face of evil. Eugene de Kock, the commanding officer of state-sanctioned apartheid death squads, is currently serving 212 years in jail for crimes against humanity. Pumla Gobodo-Madikizela, who grew up in a black township in South Africa, served as a psychologist on that country's great national experiment in healing, the Truth and Reconcilation Commission. As this book opens, in an act of inescapable, multilayered symbolism and extraordinary psychological courage, Gobodo-Madikizela enters Pretoria's maximum security prison to meet the man called "Prime Evil." What follows is a journey into what it means to be human. Gobodo-Madikizela's experience with and deep empathy for victims of murderous violence, including those killed by de Kock and their families and friends, become clear in arresting scenes set during the TRC hearings, in which both perpetrators and their victims are given voice. The author's profound understanding of the language and memory of violence, and of the searingly complex issues surrounding apology and forgiveness after mass atrocity, will leave a mark on scholarship as well as on our emotional lives. Gobodo-Madikizela's journey with de Kock, during which she allows us to witness the extraordinary awakening of his remorse, brings us to one of the great questions of our time: What does it mean when we discover that the incarnation of evil is as frighteningly human as we are?

Product Details

• Amazon Sales Rank: #520135 in Books
• Published on: 2002-12-26
• Original language: English
• Binding: Hardcover
• 208 pages

From Booklist
More focused than most books about South Africa's Truth and Reconciliation Commission (TRC), this searing account is by a psychologist who grew up in the black townships and who served on the TRC under Archbishop Tutu. She brings you close to the horrific testimony about what apartheid's perpetrators did, and also to what Tutu called "holy" scenes of forgiveness by victims' families. But at the center are her personal prison interviews with Eugene de Kock, who directed "the blood, the bodies and the killing" against apartheid's enemies. Does he feel remorse? Can Gobodo-Madikizela feel empathy for him? Demonizing him as monster, as hopelessly other, lets him--and us--off too easily, she maintains. The elemental issues about perpetrators, victims, and bystanders stretch back to the Holocaust and will spark intense discussion. How can apartheid Prime Minister De Klerk say his hands were clean? What about the majority of whites who say they didn't know? No easy answers, just the hope embodied in the TRC that cycles of political violence can be broken and that there are alternatives to revenge. Hazel Rochman
Copyright © American Library Association. All rights reserved

About the Author
Pumla Gobodo-Madikizela, a clinical psychologist, served alongside Archbishop Desmond Tutu as one of ten members of South Africa"s Truth and Reconciliation Commission. She lectures internationally on issues of vengeance and forgiveness.

Excerpt. © Reprinted by permission. All rights reserved.
1 / Scenes from Apartheid As I drove the last half-mile of the road that leads to South Africa's notorious Pretoria Central Prison, I felt a dread unlike any I had felt in my earlier visits. Before I could make myself ready, a huge sign high above me at the entrance announced the noble agenda: "Correctional Services: Pretoria." The reassuringly professional sign was one of many changes, I half noted, that must have been introduced by the new black director of prisons. I slowed down my car, drove up to within a few yards of the prison entrance, and turned the engine off. I sat there, seeing but not seeing the people milling around gloomily after a visit with loved ones, waiting for the taxi vans that would drive them back to the impoverished townships on the outskirts of Pretoria. My anxiety built until I felt as if it could have exploded through the windows of my car. The white guard stationed by the prison entrance was by now looking at me suspiciously. I impulsively turned on the ignition, not sure whether to move the car or, as I then decided, to get out, approach the security checkpoint, and announce myself to the guard. Anticipating that he would ask me to spell my name, I handed him my business card. He went to the telephone in his small observation room and returned to tell me that Doreen Krause, the head of the maximum security section of the prison, was expecting me. This hardly came as a relief; by now I needed something any obstacle that would give me an excuse to abandon my mission. Farther down the road I could see the massive gray concrete walls of the medium and maximum security sections of the prison. The last time I'd come here was in 1989 to interview a man on death row for killing a white farmer in the Eastern Cape. There was to be a retrial, and the prisoner's lawyers had asked me to prepare a psychological report on him. That time I had driven straight to the prison without going through Pretoria. Pretoria was a city filled with too many of apartheid's symbols the Union building, the seat of apartheid's parliament, the statues of Afrikaner heroes, prison cells, and buildings of torture where many opponents of apartheid, black and white, had died or disappeared or mysteriously committed suicide. Pretoria was the heart and soul of apartheid, and I had no desire to set foot there. But now, as I returned to the prison eight years later, Pretoria symbolized something new. It was the city where Nelson Mandela had been inaugurated as the first president of a democratic South Africa. A workforce that reflected this new South Africa had replaced many of the white men and women who had been the civil servants of one of the most brutally repressive systems in modern history. This day, on my way to the Central Prison, I'd driven into Pretoria to experience the atmosphere that came along with this new phase in my country's existence. I had intended to stop only long enough to pick up some extra batteries for my small tape recorder and to buy coffee before heading for the prison in time for my appointment at noon. Instead, within a few minutes of entering the city, I lost my sense of direction and was driving around in circles through Pretoria's busy streets. It was a surreal scene in which the forbidding architecture of the apartheid era assumed a menacing air and the one-way streets seemed to entangle me in a maze from which I couldn't free myself. Even the jacaranda blooms trademark of Pretoria's beauty lining some of the streets into which I strayed couldn't calm me. I stopped three times in the sweltering heat to ask for directions to the prison, on each occasion getting either inadequate or misleading directions. At last help came. At a set of traffic lights on Schubert Street I rolled down my window to take a chance on a middle-aged white Afrikaner motorist in a van. He offered to lead me to the road that would take me to the prison, and I followed him and his ordinary human goodness on my way. Did I have any weapons in the car? the guard asked. I opened the glove compartment and then the trunk of my car for the security check. Within a few minutes I was driving down the road that led to the maximum security section of the prison, where some of South Africa's most hardened murderers were warehoused. I parked my car and walked toward the massive black metal gates. Inside stood a uniformed black guard who spoke to me through a square opening screened by iron bars. He opened this gate, and as it swung out I took a few steps back. Within seconds I had been escorted inside, and I found myself standing in the middle of a small, dark, stuffy passage with no windows a checkpoint before visitors were allowed into the main building of the section. Awed, my heart beating hard, I stared at the blank concrete walls and wondered, as I had during my visit eight years before, where the prison's execution chamber was. South Africa had by now scrapped the death penalty. But I couldn't help wondering which corner of the prison apartheid's hangman had presided over. I could see in an adjacent room a guard in uniform, a semiautomatic assault rifle braced smartly against his hefty shoulder. He stepped out and asked me pleasantly what the purpose of my visit was. "Oh, you are the one to see Dikoko." I was indeed very close to seeing "Dikoko," Eugene de Kock, the man whom many in the country considered the most brutal of apartheid's covert police operatives. "Prime Evil" his far less familial-sounding nickname would be more than an abstraction to me within minutes. I was thankful for the presence of the black guard, and amused by his and all the other black guards" mispronunciation of "de Kock" as "Dikoko." As behind-the-scenes engineer of apartheid's murderous operations, he had been faceless and nameless. Now that he was exposed, his name was as unpronounceable as unspeakable as his deeds. Another guard was called, and I was escorted out of the reception room and into a paved area with a small patch of green grass a rich green that seemed to have been thrown into the midst of the prison gray to shock. My escort and I approached the main maximum security building, the immaculately polished brass trim of its entrance sparkling in the sun. The journey through the prison gates, a total of nine, was not undramatic. Walking through the maze of passages with brightly polished floors thanks to cheap prison labor I heard excited shouts and whistling from some black prisoners on a balcony above. They seemed to be enjoying the sight of a female visitor navigating the prison's corridors. Trying not to spoil their fun, I looked up and acknowledged their cheers with a smile. At that moment I felt as if I needed to be cheered more than they did. Finally, leaving behind me the shouting prisoners and noisy keys, each sounding its own note of power at each prison gate, I passed through a metal detector and the last entrance to "C-Max," the section where de Kock was imprisoned. My jitteriness caused me to seize on a second irony. The covert operations unit from which de Kock had commanded fear and power and crafted apartheid's most brutal schemes was the "C" section of the security department. Now he had come to lose that power in the "C" section of the prison, where, as a prisoner categorized as among the most dangerous, he had no privileges, no power. In C-Max I was walking into a world of even more intense grays gray walls, gray ceiling, gray floor. In search of some escape from this dull, depressing grayness, my mind wandered to the patch of green I had seen outside. It was an image I would return to many times in my subsequent trips to the prison; the grass stood out in my mind as an invitation to escape from the world of the living dead to that of the living. The first thing I noticed when I stepped into the room was de Kock's bright orange prison overalls. The color was shocking, so much a part of the scenery I associated with the many prison movies I had seen. Silence of the Lambs immediately came to mind, and there was something about that memory that brought a shiver, though its real significance in my meeting with de Kock would emerge two weeks later. As I entered the tiny room, with gray walls and a disproportionately long table and an old leather chair with wheels, de Kock got up, balancing himself against the wall. His feet were chained to a metal stool bolted to the floor. He smiled politely, making eye contact from behind his black-rimmed thick lenses. I could hear the clattering of his leg chains as he awkwardly steadied himself, extending his hand to greet me. He spoke in a heavy Afrikaans accent: "It's a pleasure to meet you." I knew the face; I had seen it in the newspapers, and at public hearings during his first appearance before the Truth and Reconciliation Commission, but this was the closest I had ever been to Eugene de Kock. As he smiled shyly, perhaps politely, rising to greet me, I saw a flicker of boyishness, of uncertainty. At the same time, my mind registered "Prime Evil," the name that marked him as the surest evidence of all that had happened under apartheid. De Kock had not just given apartheid's murderous evil a name. He had become that evil. The embodiment of evil stood there politely smiling at me. I, like every black South African, have lived a life shaped by the violence and the memories of apartheid. I have three linked stories to share. In 1994 I was completing my doctoral fellowship at Harvard University. On the morning of April 27 I joined the many South Africans assembled at the State House in Boston, where a voting center for South Africans had been created. I was the first person to vote, and my emotions were so intense that I seemed to feel them concretely as something that flooded through me. As I walked to the voting booths, I had an overwhelming sense that I was being transported from one historical moment, where I'd been a second-class citizen in my country of birth where my parents and their parents had been sent from this place to that, wherever the mass removals and demolitions of black areas destined them to go, finally settling in the...