Absolute Truths
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Product Description
"A SKILLFUL BLEND OF CHARACTER, PHILOSOPHY AND
NARRATIVE. . .Formidable personalities embroil themselves in ruthless power struggles that would make a corporate raider blush."
--The Washington Post Book World
It is 1965, and Charles Ashworth has attained the plum position of bishop of Starbridge, an honor that keeps him in a heady whirl of activity that would exhaust the most seasoned corporate executive. With the invaluable support of his minions and his attractive, unsinkable wife, Ashworth stands against the amorality and decadence of the age--"Anti-Sex Ashworth." He slays his opponents by being a tough, efficient, confident churchman, the torments of his past long since dead and buried.
And then the unexpected, the unthinkable, strikes.
Suddenly Ashworth finds himself staring into the chasm of all the lies hes been telling himself for years: about his marriage, his children, even his views on the Church. And as he suspects his old nemesis and dean, Neville Aysgarth, of drinking too much, of financial chicanery, of--God forbid--having an affair, Ashworth discovers to his horror that he is tempted to commit the very acts that he has so publicly
denounced. . . .
"ENTHRALLING. . .Rich, dense, almost indecently entertaining."
--San Jose Mercury News
"POWERFUL. . .MIRACULOUS."
--Booklist (starred review)
SELECTED BY THE BOOK-OF-THE-MONTH CLUB
Product Details
- Amazon Sales Rank: #182498 in Books
- Published on: 1996-05-01
- Released on: 1996-05-01
- Original language: English
- Dimensions: 7.00" h x 1.31" w x 4.19" l, .82 pounds
- Binding: Mass Market Paperback
- 640 pages
Editorial Reviews
From Publishers Weekly
This sixth and final volume in Howatch's series of novels concerning the church of England revolves around the spiritual and moral upheavals of the 1960s.
Copyright 1996 Reed Business Information, Inc.
From Library Journal
This final novel in a double trilogy about the Church of England in the 1930s and the 1960s is a splendid conclusion to the series (begun with Glittering Images, LJ 6/1/87) and a powerful combination of psychological insight, theological depth, and storytelling ability. Howatch simultaneously provides her reader with both marvelous entertainment and genuine insight into the human condition. The narrator for this volume is Charles Ashworth, now Bishop of Starbridge, who staunchly, even self-righteously, defends traditional values. This continues until crisis-and his wife's journal-reveal to him the "shadow" side of his own life and its effect on his two sons; his dean, Stephen Aysgarth; other clergy; several women; and himself. The end is phoenix-like, as characters rise from their own ashes, yet never unrealistic. Highly recommended for all libraries.
Carolyn M. Craft, Longwood Coll., Farmville, Va.
Copyright 1995 Reed Business Information, Inc.
From Booklist
The sixth and final part of Howatch's Church of England series is a powerful advocate of the whole, matching the drama and emotional reach of Glamorous Powers (1988) and Ultimate Prizes (1989). Charles Ashworth, the narrator of the first in the series (Glittering Images, 1987), is even more attractive as an aging intellectual bishop struggling to come to terms with the very un-Christian 1960s. His attempt to maintain discipline, faith, and a relationship with God in the midst of a troubling secular world goes right to the heart of the Howatch project in these six magnificent novels. There's really very little like this work in modern literature. There are hints of Trollope, hints of C. S. Lewis, in these pages, but nowhere else does one discover the distinctive genius of Anglican theology--intelligent, commonsensical, optimistic--so movingly wrapped in the heartbreaking dramas of husbands, wives, fathers, children, and spiritual guides. At the center of each novel is a tragedy, beyond which is an epiphany the narrator cannot quite grasp. Charles' tragedy is the loss of his closest companion, but, of course, his problems go much deeper. The shield of his glittering image, shattered once before, six novels ago, is shattered again. But Howatch's novels are not so much about tragedy as about the way ordinary men and women struggle through humility and forgiveness toward the far horizon of redemption. Little more can be said about this miraculous cycle of novels. These are works that deserve to endure well beyond the troubled age that spawned them. Stuart Whitwell
