Product Description

Thirty-six-year-old Sophie Stanton desperately wants to be a good widow-a graceful, composed, Jackie Kennedy kind of widow. Alas, she is more of the Jack Daniels kind. Self-medicating with ice cream for breakfast, breaking down at the supermarket, and showing up to work in her bathrobe and bunny slippers-soon she's not only lost her husband, but her job, house...and waistline. With humor and chutzpah Sophie leaves town, determined to reinvent her life. But starting over has its hurdles; soon she's involved with a thirteen-year-old who has a fascination with fire, and a handsome actor who inspires a range of feelings she can't cope with-yet.

Product Details

• Amazon Sales Rank: #228710 in Books
• Published on: 2005-04-04
• Original language: English
• Dimensions: 8.25" h x 1.00" w x 5.50" l, .74 pounds
• Binding: Paperback
• 368 pages

From Publishers Weekly
"The grief is up already. It is an early riser, waiting with its gummy arms wrapped around my neck, its hot, sour breath in my ear." Sophie Stanton feels far too young to be a widow, but after just three years of marriage, her wonderful husband, Ethan, succumbs to cancer. With the world rolling on, unaware of her pain, Sophie does the only sensible thing: she locks herself in her house and lives on what she can buy at the convenience store in furtive midnight shopping sprees. Everything hurts—the telemarketers asking to speak to Ethan, mail with his name on it, his shirts, which still smell like him. At first Sophie is a "good" widow, gracious and melancholy, but after she drives her car through the garage door, something snaps; she starts showing up at work in her bathrobe and hiding under displays in stores. Her boss suggests she take a break, so she sells her house and moves to Ashland, Ore., to live with her best friend, Ruth, and start over. Grief comes along, too—but with a troubled, pyromaniac teen assigned to her by a volunteer agency, a charming actor dogging her and a new job prepping desserts at a local restaurant, Sophie is forced to explore the misery that has consumed her. Throughout this heartbreaking, gorgeous look at loss, Winston imbues her heroine and her narrative with the kind of grace, bitter humor and rapier-sharp realness that will dig deep into a reader's heart and refuse to let go. Sophie is wounded terribly, but she's also funny, fresh and utterly believable. There's nary a moment of triteness in this outstanding debut.
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From AudioFile
When 36-year-old Sophie Stanton finds herself a widow, she copes the only way she knows how--by falling apart and surviving on ice cream. When her erratic behavior costs Sophie her job, she packs up, sells her house, and moves to Ashland, Oregon, to find herself and lose her grief. Amanda Foreman reads Sophie's struggles and triumphs with a solid sense of humor and tolerance, and captures beautifully the whiny nature of Sophie's rants, insecurities, and break-downs. The story itself moves slowly, but Sophie's self-pity, tiresome at times, is bearable thanks to Foreman's sympathetic performance. Foreman also shines when delivering the dialogue of 13-year-old Crystal, rife with attitude and self-destructiveness. A solid abridgment and happy ending make this a worthwhile listen. H.L.S. © AudioFile 2004, Portland, Maine-- Copyright © AudioFile, Portland, Maine

From Booklist
Sophie Stanton goes from newlywed to widow in just three short years of marriage, her competent and confident persona replaced by an Oreo-munching, robe-and-slipper-clad zombie. Overwhelmed by grief and despair, out of a job, home, and clothes that fit, Sophie leaves her high-pressure, memory-laden Silicon Valley lifestyle for a laid-back Oregon village. In her metamorphosis from bereft widow to beguiling woman, Sophie is aided by an unlikely ally: Crystal, a street-smart but emotionally damaged teenager she befriends as part of a "Big Sisters" program. If there are stages to the mourning process, Winston gets them all down perfectly, communicating Sophie's misery with a poignant empathy. Those who have experienced such loss will surely recognize themselves in some part of Sophie's transformative journey; those who haven't will hope to demonstrate as much grit, wit, and charm as Winston's lovable heroine. Tackling a difficult subject in a debut novel is a gutsy move, and Winston pulls it off with just the right blend of heartfelt humor and heartwarming humanity. Carol Haggas
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