Classical Style
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Product Description
A greatly expanded edition of the National Book Award-winning masterpiece by a world-class pianist and writer on music. This outstanding book treating the three most beloved composers of the Vienna School is basic to any study of Classical-era music. Drawing on his rich experience and intimate familiarity with the works of these giants, Charles Rosen presents his keen insights in clear and persuasive language. For this expanded edition, now available in paperback for the first time, Rosen has provided a new, 64-page chapter on the later years of Beethoven and the musical conventions he inherited from Haydn and Mozart. The author has also written an extensive new preface in which he responds to other writers who have commented on his ideas.
Product Details
- Amazon Sales Rank: #747220 in Books
- Published on: 1981-01-01
- Released on: 1981-01-01
- Original language: English
- Dimensions: .1 pounds
- Binding: Paperback
- 1 pages
Editorial Reviews
From Amazon.com
Written in 1970, this winner of the National Book Award is perhaps the best guide to the music of the late 18th century that the reader is likely to find. Rosen defines classical music (which, in this case, is probably more properly rendered "Classical," as it refers to that specific style) through the music of its greatest geniuses: Mozart, Haydn and Beethoven. This is serious stuff, but well worth the effort for the student of classical music. There are many printed musical illustrations; you'll get more out of this book if you read music. This volume has a logical successor in Rosen's The Romantic Generation. A revised version in hardcover is due later this year.
From Library Journal
The first edition of this book won the 1972 National Book Award and remained available in paperback for more than two decades. For this edition, Rosen adds a 14-page preface answering some of his friendly critics and a 26-page essay on Beethoven?which includes 44 musical examples, not seen?that emphasizes the composer's indebtedness to Haydn and Mozart. Otherwise, the text of the original edition remains unchanged. A CD (not heard) of Rosen playing two Beethoven piano sonatas (opp. 106 and 110) is also included. Libraries successful in keeping together the book and CD of Rosen's Romantic Generation (LJ 4/1/95) may want to attempt the same with this set, but once the CD is lost, the price seems high for only two new essays if the older edition is still serviceable.?Bonnie Jo Dopp, Univ. of Maryland Lib., College Park
Copyright 1997 Reed Business Information, Inc.
Times Literary Supplement
A profoundly perceptive study.
