Product Description

Colson Whitehead’s eagerly awaited and triumphantly acclaimed new novel is on one level a multifaceted retelling of the story of John Henry, the black steel-driver who died outracing a machine designed to replace him. On another level it’s the story of a disaffected, middle-aged black journalist on a mission to set a record for junketeering who attends the annual John Henry Days festival. It is also a high-velocity thrill ride through the tunnel where American legend gives way to American pop culture, replete with p. r. flacks, stamp collectors, blues men , and turn-of-the-century song pluggers. John Henry Days is an acrobatic, intellectually dazzling, and laugh-out-loud funny book that will be read and talked about for years to come.

Product Details

• Amazon Sales Rank: #382287 in Books
• Published on: 2002-05-14
• Released on: 2002-05-14
• Original language: English
• Dimensions: 7.92" h x .89" w x 5.26" l, .63 pounds
• Binding: Paperback
• 400 pages

From Amazon.com
Colson Whitehead's second novel posits a folk antihero for the information age: junketeer and puff-piece-writing man J. Sutter. For his latest assignment, this freelance hack is sent to Talcott, West Virginia, to cover its John Henry Days festival and the unveiling of the United States Postal Service's John Henry stamp. Sutter hasn't devoted much thought to American mythology lately, or to the epic struggle of man vs. machine, or to anything else besides padding his expense account and cadging free drinks. Still, our hero is engaged in a private contest of his own--a kind of junket jag, in which he plans to attend a public relations event every single day. Alas, this journalistic obstacle course threatens to eradicate Sutter's soul, just as the folkloric steam shovel eradicated John Henry's body. Whitehead cuts back and forth between eras and exploits. And what begins as a media-saturated satire soon turns into a jazzy, expansive meditation on man, machine, nature, race, history, myth, and pop culture--in short, on America, as expressed through the story of (who else?) a former slave.

Following on the heels of Whitehead's widely praised debut, The Intuitionist, John Henry Days won't disappoint anyone who delighted in the first book's wonderfully quirky writing or its complex allegories of race. The historical set pieces here dazzle, and the author casts a withering eye on our media-driven culture: "Since the days of Gutenberg, an ambient hype wafted the world, throbbing and palpitating. From time to time, some of that material cooled, forming bodies of dense publicity." Still, these brilliant parts don't necessarily add up to a satisfying whole. Whitehead writes the kind of smart, allusive, highly wrought prose that is impressive sentence by sentence. Over the course of 400 pages, though, it can be somewhat daunting. It's a bit like eating a meal in which each of the seven courses comes topped with hollandaise sauce. Worse, some of the characters' motivations remain abstract, as if the author hovered so far above his creations that their foibles struck him as simple absurdities. In a novel of this caliber, of course, much can be forgiven. But one is eager to see Whitehead quit riffing and make an emotional investment in his characters. The result will be fiction that engages the heart as well as the head. --Mary Park

From Library Journal
Whitehead's (The Intuitionist) second novel is an introspective character study surrounding the legend of folk hero John Henry. A John Henry festival in a small West Virginia town draws a diverse crowd, including J. Sutter, a freelance writer going from one event to another in search of free food and paid expenses; and Pamela Street, a restless woman grieving for her father. Both are forced to reevaluate their lives, brought together by bonds of race and history. The author has tried to make this novel an epic saga by filling it with cameo characters and vignettes tracing the history of John Henry's legend and the song that sprang from it, but they are too one-dimensional for the reader to care. Too many characters and a forced writing style make this an unremarkable work about wasted lives and superficial people. Recommended for large libraries only, or those who own the author's previous work. Ellen Flexman, Indianapolis-Marion Cty. P.L.
Copyright 2001 Reed Business Information, Inc.

From Booklist
Whitehead's accomplished debut, The Intuitionist (1998), earned him a Whiting Writers' Award, and he now presents an even more sagacious tale, an inventive, funny, and bittersweet inquiry into the significance of folk hero John Henry. An African American rail worker who allegedly triumphed over a steam-powered drill in a contest of man against machine only to die on the spot in a dramatic foreshadowing of the impact of the Industrial Revolution, Henry is the subject of a 1996 commemorative stamp that is about to be unveiled at an elaborate celebration in Talcott, West Virginia. A gaggle of sharp-tongued, mercenary New York hacks are on the scene, including J. Sutter. The only black writer present, he is staging a contest of his own by going for a record of back-to-back press junkets. Also in attendance is Pamela Street, whose late father obsessively collected John Henry memorabilia. Looping back in time, Whitehead brings John Henry himself into the mix, as well as an intriguing set of characters inspired by his story, including the creator of "The Ballad of John Henry" and Paul Robeson, who played John Henry on Broadway. Masterfully composed and full of myth and magic, Whitehead's great American novel considers such dualities as nature and civilization, legend and history, black and white, and altruism and greed, while deftly skewering the absurdities of the information age. Donna Seaman
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