Kiss & Tell
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Product Description
He meets Isabel Rogers, a production assistant at a small stationery company in London, apparently an ordinary woman. But as the biographer's understanding of Isabel deepens, she becomes remarkable. Her smallest quirks, private habits, and opinions become worthy of the most painstaking investigation—and unexpectedly attractive to her biographer.
Product Details
- Amazon Sales Rank: #327163 in Books
- Published on: 1997-05-15
- Original language: English
- Dimensions: .74" h x 5.50" w x 8.32" l, .58 pounds
- Binding: Paperback
- 272 pages
Editorial Reviews
From Amazon.com
Alain de Botton has crafted a delightfully ingenious novel in the form of a biography of an unknown woman. Told by a former flame that he lacks empathy, the engaging narrator of Kiss & Tell decides to write a book about the next person he meets. This turns out to be Isabel Rogers, a production assistant at a London stationery company. The sincere effort of this would-be Boswell to make this ordinary woman fascinating cause him to fall in love with her, causing a shift in his writing from an examination of Isabel's life to a minutely-detailed account of his relationship with her. Alain de Botton's earlier work, The Romantic Movement, garnered praise from John Updike and Pico Iyer, who called him "a Stendhal of the 90's dating scene."
From Publishers Weekly
"Dental work on," "first kiss" and "new hairstyle" can all be found under the index entries for Isabel Rogers, the charming, unsuspecting subject of this diverting fictional biography. De Botton plays a nimble game, through the eyes and idiosyncrasies of his smart, pretentious narrator. Looking for an opportunity to explore the nature of biography without being overshadowed by his subject, the narrator attaches himself to a woman he thinks will be mundane enough to be fully mastered. To play off the appealing if thoroughly normal Isabel, de Botton (The Romantic Movement) makes his narrator as fastidious as any of Nicholson Baker's and as smarmily self-absorbed as one of Martin Amis's. But the ordinary details of Isabel's ordinary life?she is 28, a production assistant in London?prove more than enough to handle, and the narrator, who likes to quote Dr. Johnson and Richard Ellman, finds that the high-brow rigors of formal biography have to make concessions to the unruliness of lived life. Inevitably in this comic relationship, the narrator digresses too often, experimenting with handwriting analysis, palmistry and psychiatric questionnaires before he realizes that he is missing a very different kind of understanding of Isabel. Deftly, de Botton manages to flesh out the character of Isabel within the parameters of what is?in every sense?his narrator's pseudo-intellectual conceit. In the manner of Carol Shield's The Stone Diaries, photos of "Isabel" and her family add a droll touch.
Copyright 1996 Reed Business Information, Inc.
From Booklist
After an ex-girlfriend accuses the narrator of being a narcissist, he decides to find out as much as possible about the next person he meets. Fortunately she, in the form of Isabel Jane Rogers, proves to be a woman of many layers. Intrigued by the biographer's mission, the unnamed narrator plunges into Isabel's life, creating a laundry list of minutiae--such as how she learned to make the figure 8, her first bubble bath, candies eaten as a child, and how she cleans her apartment to The Best of Blondie music--all to gain insight, reformulate prejudices, and grow empathic. Along the way, he consults other biographies for direction. An index (unusual in a fictional work) draws out details from the lives of Samuel Johnson, Marcel Proust, and James Joyce, among others. Readers who enjoy biographies must not miss Kiss & Tell. It provides insight into the genre while also presenting bit by nonchronological bit the ordinary albeit captivating life of Isabel Jane Rogers. Jennifer Henderson
