Product Description

In this richly illustrated volume, featuring more than fifty black-and-white illustrations and a beautiful eight-page color insert, Barbara Novak describes how for fifty extraordinary years, American society drew from the idea of Nature its most cherished ideals. Between 1825 and 1875, all kinds of Americans--artists, writers, scientists, as well as everyday citizens--believed that God in Nature could resolve human contradictions, and that nature itself confirmed the American destiny. Using diaries and letters of the artists as well as quotes from literary texts, journals, and periodicals, Novak illuminates the range of ideas projected onto the American landscape by painters such as Thomas Cole, Albert Bierstadt, Frederic Edwin Church, Asher B. Durand, Fitz H. Lane, and Martin J. Heade, and writers such as Ralph Waldo Emerson, Henry David Thoreau, and Frederich Wilhelm von Schelling. Now with a new preface, this spectacular volume captures a vast cultural panorama. It beautifully demonstrates how the idea of nature served, not only as a vehicle for artistic creation, but as its ideal form. "An impressive achievement." --Barbara Rose, The New York Times Book Review "An admirable blend of ambition, elan, and hard research. Not just an art book, it bears on some of the deepest fantasies of American culture as a whole." --Robert Hughes, Time Magazine

Product Details

• Amazon Sales Rank: #474818 in Books
• Published on: 2006-12-15
• Original language: English
• Binding: Paperback
• 352 pages

Review
...test[s] the the accepted perimeters of art history TLS

Review
"Nature and Culture is more than a study of landscape painting: it is the story of the American imagination finding what will suffice.Wonderful is the only adequate word for Novak's "reading" of American painting. Like the opening of the new American Wing at the Metropolitan Museum of Art, Nature and Culture is an important event. Miss Novak herself has some of the sublimity of the landscapes she analyzes. Her book is awesomely good."--Anatole Broyard, The New York Times

"A model of its kind, a thouroughly engrossing study of the intersection of history and esthetics."--James R. Mellow, Art News

"An admirable blend of ambition, elan and hard research. Novak is not one of that vanishing line of critics who tend to treat the history of art simply as the history of pictorial form. Instead, she disentangles and shows the content behind the forms: the iconography that links painting to the culture of its time.Hers is not just an art book, it bears on some of the deepest fantasies of American culture as a whole."--Robert Hughes, Time Hers is not just an art book, it bears on some of the deepest fantasies of American culture as a whole."--Robert Hughes, Time

From the Publisher
66 halftones, 8 page colour insert