Product Description

During the last few decades, most cultural critics have come to agree that the division between "high" and "low" art is an artificial one, that Beethoven's Ninth and "Blue Suede Shoes" are equally valuable as cultural texts. In Who Needs Classical Music?, Julian Johnson challenges these assumptions about the relativism of cultural judgements. The author maintains that music is more than just "a matter of taste": while some music provides entertainment, or serves as background noise, othermusic claims to function as art. This book considers the value of classical music in contemporary society, arguing that it remains distinctive because it works in quite different ways to most of the other music that surrounds us. This intellectually sophisticated yet accessible book offers a new and balanced defense of the specific values of classical music in contemporary culture. Who Needs Classical Music? will stimulate readers to reflect on their own investment (or lack of it) in music and art of all kinds.

Product Details

• Amazon Sales Rank: #608974 in Books
• Published on: 2002-03-15
• Original language: English
• Dimensions: .82 pounds
• Binding: Hardcover
• 152 pages

Review
"You will often cheer out loud! I did...more profound than can be communicated in a book review. I read this twice. Like all my favorite books, I will read it again and again. Nothing is more relevant to classical music devotees."--American Record Guide

"[A] heartfelt and finely reasoned appeal....wise, perceptive and inspiring book."--The Economist

"[A] soberly argued defiance of classical tradition as uniquely valuable in its own right, and hence worth sustaining as a cultural option open to all. Who Needs Classical Music? is neither a last-ditch lament nor an aggressive counter-attack....Every page-at times, every sentence-is loaded with implications for further thought deserves the widest attention." --BBC online

"[A] sophisticated yet accessible defense of classical music's value."--CHOICE

About the Author
Julian Johnson was educated at the University of Cambridge, Dartington College of the Arts, and the University of Sussex, and is currently a lecturer in Music at Oxford University. The author of Webern and the Transformation of Nature, Johnson is well known for his work on music aesthetics and the relation of music to society. He is also a composer.