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44 Dublin Made Me

44 Dublin Made Me
From Penguin Paperbacks

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Product Details

  • Amazon Sales Rank: #850893 in Books
  • Original language: English
  • Binding: Paperback
  • 288 pages

Editorial Reviews

About the Author
Peter Sheridan is the cofounder (with his brother, Jim Sheridan) of the Project Theatre Company in Ireland. He has worked for many years as a director at the Abbey Theatre in Dublin. In the U.S. he has directed at the Irish Arts Center and the Irish Repertory Theatre in New York, the Los Angeles Theater Center, and the Live Oak Theater in Austin.


Customer Reviews

Irish yarn unravels into beautiful story3
As if drawn by a gravitational pull, Irish yarns seem to center on the relationship of children with their mothers. In a break from this natural order, Peter Sheridan's memoir, 44 Dublin Made Me turns to the bond of a boy with his father for its compelling tale.

Sheridan writes about his childhood with grace and ease. Readers are catapulted into his large Irish family in 1959 from the first sentence onward.

Peter Sheridan is a good Irish boy who enjoys school and loves the hectic life Dublin offers. His best friend, Andy, hates school but loves traipsing around the city in search of fortune.

The two boys influence each other in both good and bad ways - Andy gets involved with the church after a stint in reform school, and Peter learns to stand up for himself. In the end though, Andy remains the rogue and Peter the goody-two-shoes.

A steady presence throughout the book is Peter's Da. The man has his own outhouse in the garage, preaches to his family like they are his disciples and relies on his wins at the horse races as a major means of income.

Peter is his Da's helper and is ordered to do just about every imaginable task - from climbing up an ariel on the roof to fix the TV's reception to digging holes in the garage to fix water pressure.

When Peter's brother, Frankie, falls ill, their Da finds himself unable to cope. Peter tries to fill in for his father and be someone for his mother to rely on. After his father regains his strength, he and Peter find their friendship stronger.

Peter also runs errands all over the city and helps out with the tenants his parents have taken in.

One of these boarders, Mossie, plays a crucial role in Peter's life. Mossie robs Peter of his innocence, terrifies and scars him so deeply that Peter withdraws inwardly. Unable to find comfort, Peter then seeks solace at the hands of the church.

Illness and deaths make Peter grow up quickly and 44 Dublin Made Me documents his maturation. Andy gets a girl "in trouble" and quickly marries to take responsibility for the situation. As his world changes, Peter adapts.

Sheridan's strength is that he writes his story, which could be sad, as hopeful and happy. Rather than just have stories from his childhood strung together as some memoirs do, 44 Dublin Made Me creates a touching story.

A Rewarding Read4
In the opening chapter of his memoirs, Peter Sheridan pedals off on his bike to run an errand for his father. Even at the age of 8, there's no way he could get lost in his own city. He "loves the statues and monuments. If Dublin were a woman, he'd marry her."

*** "44 Dublin Made Me" will invariably be compared to Frank McCourt's "Angela's Ashes" on the sole count of being Irish. The Irish, however, are a diverse people, and life in Dublin is very different from life in Limmerick. McCourt's family faced scraping poverty, whereas Sheridan's family (by no means millionaires) have a steady home environment, food on the table, and the constant presence of both parents raising a large brood.

*** Peter Sheridan focuses on the decade of the 60s which begins with childhood innocence (getting a TV for the first time) and makes his way through adolescence and two defining events in the author's life -- a disturbing encounter on a train at age 13 and later the death of a family member.

*** Sheridan has a wonderful voice for storytelling. He stays true to his kid spirit and endears without being precious. And in fine Irish tradition, every laugh has a tragic edge and every sadness is survived by some beauty.