Product Description

A mysterious circus terrifies an audience for one extraordinary performance before disappearing into the night. . . .

In a Hugo Award–winning story, a great detective must solve a most unsettling royal murder in a strangely altered Victorian England. . . .

Two teenage boys crash a party and meet the girls of their dreams—and nightmares. . . .

These marvelous creations and more showcase the unparalleled invention and storytelling brilliance—as well as the terrifyingly dark and entertaining sense of humor—of the incomparable Neil Gaiman. By turns delightful, disturbing, and diverting, Fragile Things is a gift of literary enchantment from one of the most original writers of our time.

Product Details

• Amazon Sales Rank: #77009 in Books
• Published on: 2007-09-20
• Original language: English
• Dimensions: 8.00" h x .94" w x 5.31" l, .70 pounds
• Binding: Paperback
• 416 pages

From Publishers Weekly
The 30 short stories and poems in this collection vary widely in theme and tone, from the dark, recursive "Other People" to the witty, R.A. Laffertyesque "Sunbird." Aside from one new tale, "How to Talk to Girls at Parties," all material has been previously published. Gaiman performs admirably as narrator for the most part, changing his style from story to story to better suit the tone of each. However, in the more experimental pieces in the collection, this practice backfires and may leave listeners reaching for the fast-forward button. The poems often work on paper, but when read aloud many feel like disjointed, nonsensical stories. Gaiman is at his best when narrating his more traditional tales, such as the sly and inventive Sherlock Holmes/H.P. Lovecraft pastiche "A Study in Emerald," and the noirish "Keepsakes and Treasures." There are enough terrific stories in the book to make it a must-have for Gaiman fans, but dedicated readers may want to choose the hardcopy edition instead, so as to more easily skip the dross. Simultaneous release with the William Morrow hardcover (Reviews, July 17).
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal
Adult/High School—In this collection of stories (and a few poems), storytellers and the act of storytelling have prominent roles. The anthropomorphized months of the year swap tales at their annual board meeting: a half-eaten man recounts how he made the acquaintance of his beloved cannibal; and even Scheherazade, surely the greatest storyteller of all, receives a tribute with a poem. The stories are by turns horrifying and fanciful, often blending the two with a little sex, violence, and humor. An introduction offers the genesis of each selection, itself a stealthy way of initiating teens into the art of writing short stories, and to some of the important authors of the genre. Gaiman cites his influences, and readers may readily see the inflection of H. P. Lovecraft and Ray Bradbury in many of the tales. Horror and fantasy are forms of literature wrought with clichés, but Gaiman usually comes up with an interesting new angle. This collection is more poetic and more restrained than Stephen King's short stories and more expertly written than China Mieville's Looking for Jake (Ballantine, 2005). Gaiman skips along the edge of many adolescent fascinations-life, death, the living dead, and the occult-and teens with a taste for the weird will enjoy this book—Emma Coleman, Berkeley Public Library, CA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From AudioFile
Master storyteller Neil Gaiman begins this collection by introducing many of the stories, his introduction proving to be a story in its own right. Gaiman's performance aptitude matches his writing ability, as each tale resonates with subtlety and insight. Every character, no matter how brief his or her appearance, receives impeccable attention vocally and textually. And every word of narrative shines. Listeners new to Gaiman will be surprised by the variety of literary genres in this collection, from fairy tales to crime to romance and even science fiction. Gaiman steps nimbly through each, offering a shadow of meaning here, a barely perceptible nuance there, a punch of anger or a featherbed of sweetness where needed, leading his audience through 10 hours of the best listening of the year. R.L.L. Winner of AudioFile Earphones Award © AudioFile 2007, Portland, Maine-- Copyright © AudioFile, Portland, Maine